Kakadu

Eddie Murphy delights, shocks and entertains with dead-on celebrity impersonations, observations on '80s love, sex and marriage, a remembrance of Mom's hamburgers and much more.

Aziz Ansari presents his highly anticipated debut hour long stand-up special. The critically acclaimed stand-up and actor (Parks and Recreation, Funny People) discusses topics ranging from sheets with fraudulent thread counts to the chubbiness of his young cousin Harris. Also included is a special encore performance from Raaaaaaaandy.

Unbridled comic Chris D'Elia reconsiders his approach to major life events like marriage, not having kids and buying pants for your friends.

Two delusional geriatrics reveal curious pasts, share a love of tuna and welcome a surprise guest in this filming of the popular Broadway comedy show.

Ansari headlines the iconic Madison Square Garden and delivers his most hilarious and insightful stand-up yet. Filmed in front of a sold-out audience, Ansari's latest special is an uproarious document of the comic in top form -- covering topics ranging from the struggle of American immigrants to the food industry to relationships to gender inequality.

Eddie Izzard takes her show to San Francisco to give a brief history of pagan and Christian religions, the building of Stonehenge, the birth of the Church of England and of Western empires, and the need for a European dream.

Filmed at the Celebrity Theatre in Phoenix, AZ on February 15th and 16th, 2013, Oh My God is Louis C.K.'s fifth stand-up special, his first for HBO since 2007's Shameless, and his first since winning a Emmy Award for writing on his acclaimed show on FX, Louie. Performed in the round in front of a live audience, he discusses such topics as the food chain, animals, divorce, strange anecdotes, broken morality, murder and mortality.

Fresh from a tour, comedian Katherine Ryan shares shrewd observations about school bullies, revenge bodies and raising a very fancy child.

After a whirlwind couple of years, Ali Wong returns to the stage to dish on the highs, lows and surprises of dating post-divorce.

Aziz Ansari channels his crude side taking on topics like watching porn and the struggles of dating in New York City.

From a bee getting shot in New York City to paying strangers to take his aging father, Louis C.K. unleashes the ridiculous thoughts in his mind.

Adam Sandler hits the stage for a thrillingly unpredictable comedy special featuring songs, jokes, party-crashing dogs and plenty of love.

Returning for a second Netflix comedy special, Jim Jefferies unleashes his famously ferocious black humor to a packed house in Nashville, Tennessee.

When an upwardly mobile couple find themselves unemployed and in debt, they turn to armed robbery in desperation.

With his signature one-liners and drawings, Demetri Martin muses on doughnut holes, dogs, sports bars, the alphabet's most aggressive letters and more.

Stuck in a traffic jam, Dante and Randal discuss the prospect of a flying car.

A ratings hit! Amy Schumer debuts her one-hour special in front of a live audience at the Historic Fillmore Theatre in San Francisco. Nothing is off limits as Schumer airs every hilarious, messed up detail of her dating and sex life, from encounters with unexpected body parts to hate-filled personal grooming appointments. In her matter-of-fact raunchy style, at odds with her self-described "Cabbage Patch Kid" appearance, Schumer tells stories of a boyfriend who makes dirty requests over dinner, the way she outsmarts her birth control, and a shocking ending to a seemingly innocent cab ride.

Renowned producer, director and writer Judd Apatow makes his long-awaited return to stand-up comedy with this new special shot in Montreal.

With his signature pitch-black sense of humor, Ricky Gervais takes the stage at the London Palladium in this provocative stand-up comedy special.

Mike Birbiglia declares that a joke should never end with "I’m joking." In his all-new comedy, Birbiglia tiptoes hilariously through the minefield that is modern-day joke-telling. Join Mike as he learns that the same jokes that elicit laughter have the power to produce tears, rage, and a whole lot of getting yelled at. Ultimately it's a show that asks, “How far should we go for the laugh?”

Hilarious interactions ensue when Farhat discovers on his wedding night that he has married his mother-in-law.

Each is dependent on the other. He breaks into the passport office to get a passport. He is surprised and ends up back in prison, where he is trained in military drill. After his release, he once again lodges with relatives, his sister and brother-in-law. Wearing a second-hand captain's uniform, he first takes over a guard unit and uses it to occupy Köpenick town hall, where all the employees of the town council submit to the supposed captain. The mayor is promoted to Berlin and Voigt presents himself to the authorities a few days later. At first, everyone present laughs at the prank, but then Voigt is made aware of the legal consequences. He is sent back to prison, but shortly afterwards he is pardoned by the Emperor.

Young William Shakespeare is forced to stage his latest comedy, 'Romeo and Ethel, the Pirate's Daughter', before it's even written. When lovely noblewoman Viola de Lesseps auditions for a role, they fall into forbidden love — and Shakespeare's play finds a new life (and title). As their relationship intensifies, the comedy soon transforms into tragedy.

In love, there are miracles that cannot be explained. Even after thirty years of marriage, Suzanne and Julien are still madly in love with each other. A happy, close-knit couple. Suzanne is an actress adored by the public. An adoration that sometimes goes as far as fetishizing her young tenant Simon. For her return to the stage, she hesitates to act in Max's new play, specially written for her. What Suzanne wants is to be alone, for just a moment longer, with Julien. Julien whom she loves and who loves her, Julien who grumbles and laughs, Julien who lives but whom no one sees or hears. Except Suzanne...

When the friendship between two men is put to the test by two women, we can only laugh because the author has managed to adapt this situation in a superb comedy.

Twelfth Night is a tale of unrequited love – hilarious and heartbreaking. Two twins are separated in a shipwreck, and forced to fend for themselves in a strange land. The first twin, Viola, falls in love with Orsino, who dotes on OIivia, who falls for Viola but is idolised by Malvolio. Enter Sebastian, who is the spitting image of his twin sister... Christopher Luscombe, Director of the ‘glorious’ (Daily Telegraph) Love’s Labour’s Lost and Much Ado About Nothing (2014 and 2016), returns to the Royal Shakespeare Company to tackle Shakespeare’s greatest comedy, a brilliantly bittersweet account of "the whirligig of time".

When late in life was presenting Cimrman his artistic activity, came arresting knowledge: none of the works he had signed, not recognition. And so he decided to retreat to the anonymity of the author and become folklore. Clairvoyantly recognized that the modern era marked for extinction of folk creativity in areas such as the national song, story, legend, proverb or weather lore. The only thing from the oral folklore of die and stay alive is an anecdote. And she plays a significant role in his play Lijavec.

A battle over a family inheritance breaks out among the main characters of the comedy. Their ideas about what to do with it vary. A quirky widow full of life sees it one way, while her repeatedly divorced daughter, unemployed son, and his ex-wife see it another.

The impetus for writing the play was a real event - the investigation of the loss of the class register at a boys' school in Vienna's 4th district. The perpetrator was most likely a student named F. Kirchner. Cimrman was a police inspector in Vienna's 4th district at the time, and the school principal turned to him when all educational measures had failed. Six police officers followed the suspect for three days, but to no avail. Cimrman therefore decided to influence Kirchner in a different way: he wrote a play about the theft, which was staged by the police department's drama club as a compulsory school performance. The author expected that seeing the suffering of the teacher, principal, and inspector during their futile investigation would lead the culprit to regret his actions and confess. However, the stubborn boy, the son of a nun, was not moved.