Billy the Kid

When a crooked sheriff murders his employer, William "Billy the Kid" Bonney decides to avenge the death by killing the man responsible, throwing the lives of everyone around him into turmoil, and endangering the General Amnesty set up by Governor Wallace to bring peace to the New Mexico Territory.

Questions arise when Senator Stoddard attends the funeral of a local man named Tom Doniphon in a small Western town. Flashing back, we learn Doniphon saved Stoddard, then a lawyer, when he was roughed up by a crew of outlaws terrorizing the town, led by Liberty Valance. As the territory's safety hung in the balance, Doniphon and Stoddard, two of the only people standing up to him, proved to be very important, but different, foes to Valance.

Four unwitting heroes cross paths on their journey to the sleepy town of Silverado. Little do they know the town where their family and friends reside has been taken over by a corrupt sheriff and a murderous posse. It's up to the sharp-shooting foursome to save the day, but first they have to break each other out of jail, and learn who their real friends are.

Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Harrah. Together with a fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.

A weary gunfighter attempts to settle down with a homestead family, but a smouldering settler and rancher conflict forces him to act.

Whenever it becomes known how good he is with guns, ex-gunman George and his wife Dora have to flee the town, in fear of all the gunmen who might want to challenge him. Unfortunately he again spills his secret when he's drunk. All citizens swear to keep his secret and support him to give up his guns forever -- but a boy tells the story to a gang of wanted criminals. Their leader threatens to burn down the whole town, if he doesn't duel him.

An oppressed Mexican peasant village hires seven gunfighters to help defend their homes.

Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes too aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains, "I always say the law was meant to be interpreted in a lenient manner."

Two men are released from the Arizona Territorial Prison at Yuma in 1898. One, The Dutchman, is out to get both gold and revenge from certain people in a small mining town who had him imprisoned unjustly. The other, McBain, is just trying to go straight, but that is easier said than done once The Dutchman involves him in his gold theft scheme. Based on the 1949 novel The Asphalt Jungle by W. R. Burnett, the story is given an 1898 setting. It is the second film adaptation of the novel following 1950's noir classic The Asphalt Jungle.

Cattle baron John Chisum joins forces with Billy the Kid and Pat Garrett to fight the Lincoln County Land War in the New Mexico Territory of 1878.

Farmer Frank and his ward hunt brother Jesse's killers, the back-shooting Fords.

After a band of drunken thugs overruns a small Indian Nation town, killing Reverend Goodnight and raping the women folk, Eula Goodnight enlists the aid of US Marshal Cogburn to hunt them down and bring her father's killers to justice.

An ex-con seeks revenge on the man who put him in prison by planning a robbery of the latter's stagecoach, which is transporting gold. He enlists the help of a partner, who could be working for his nemesis.

Dan Evans, a small time farmer, is hired to escort Ben Wade, a dangerous outlaw, to Yuma. As Evans and Wade wait for the 3:10 train to Yuma, Wade's gang is racing to free him.

Tensions erupt within an Arizona cattle baron's household when his three sons vie for control of the ranch.

A cattle-vs.-sheepman feud loses Connie Dickason her fiance, but gains her his ranch, which she determines to run alone in opposition to Frank Ivey, "boss" of the valley, whom her father Ben wanted her to marry. She hires recovering alcoholic Dave Nash as foreman and a crew of Ivey's enemies. Ivey fights back with violence and destruction, but Dave is determined to counter him legally... a feeling not shared by his associates. Connie's boast that, as a woman, she doesn't need guns proves justified, but plenty of gunplay results.

In 1870s New Mexico, a half-breed kills a bigoted sheriff in self-defense but the posse that eventually hunts him finds itself in dangerous territory.

John Russell, disdained by his "respectable" fellow stagecoach passengers because he was raised by Indians, becomes their only hope for survival when they are set upon by outlaws.

The murder of her father sends a teenage tomboy on a mission of 'justice', which involves avenging her father's death. She recruits a tough old marshal, 'Rooster' Cogburn because he has 'true grit', and a reputation of getting the job done.

In a modern cow town, the powerful ranch owner’s henchmen kill a ranch hand, prompting the sheriff to investigate despite facing strong opposition. He finds an unlikely ally in the rancher's overprotected daughter, but their quest for justice puts them both in danger.

A rice farmer's grudge against a child who belittles rice.

Marianne tells Paul that she is leaving him for Mathieu. Then, Mathieu's wife comes to see Paul and ask to help her to take revenge of the infidels. For that, she says they have to simulate to be in love to each other. Paul agrees to play the game ...

The Secret Call is adapted from The Woman, a play by William C. DeMille (brother of Cecil B.) Peggy Shannon plays Wanda Kelly, the daughter of a disgraced politician. Reduced to working as a switchboard operator, Wanda is privy to the many secrets and indiscretions of the clients of a big-city hotel. She also finds romance in the form of handsome Tom Blake (Richard Arlen). The huge cast of characters comes in handy for the film's multitude of subplots, none of which ever get their wires crossed. Peggy Shannon acquits herself nicely in her first major role, but by the end of the decade her career was in decline.

Ben Wade and his partner Frosty return to Bellounds' ranch where twenty years earlier Wade was wanted for murder. Unrecognized, he gets a job on the ranch and soon becomes involved in Folsom's cattle rustling and a chance to settle an old score.

While Native American Wolf is being pursued by the FBI for having taken the law into his own hands, when his mother was raped and killed on their reservation he crosses paths with Cash, a down and out musician who is coping with the end of his marriage. An unlikely friendship develops, as they ride together towards the Teton mountain range, where Wolf will spread his mothers ashes.

The police bomb squad and SWAT teams face off against an embittered serial bomber out to get revenge for his daughter against the gangster who caused her death.

Seo-joon, loses everything to voice phishing and infiltrates a organization in China to meet Kwak Pro, the designer behind this phishing system.

A brother avenges his brothers murder by posing as an escaped felon

By fabricating her biography, Luo Su, a young Chinese white-collar worker from a low-income family, hopes to wed Mr. Win, an alluring bachelor. But when her mother's shocking TV interview exposes her deceit, she loses everything and ends her own life. Left in limbo, she is mystically given one last opportunity to alter her fate within 72 hours - albeit within the body of a man.

The Goddess (1934) is remade once again. In this version, Zhu Shilin tackles the anxiety concerning the clash of 20th century Chinese traditions and modern Western culture. Despite her father’s strict discipline, Fun still manages to have a boyfriend secretly and give birth to twins. After leaving her son to her father, she takes off with her daughter. Twenty years later, Fun has become a streetwalker. The three generations finally come face-to-face at the police station. Her father laments that his generation should be ousted while Fun’s generation has been sacrificed, leaving the future for the next generation to establish. Zhu carefully depicts the shame of selling one’s body without passing judgment while he finds balance and reflects on the pain in the age of progress. Even though the production was far from lavish, Zhu’s astute handling of the narrative and mise-en-scène makes this a vivid and exciting film to watch.

In the seedy underbelly of Manila, teenage runaway Zion links up with a group of queer street hustlers who lead him on a heated journey of self-discovery in the tempting and dangerous nocturnal city.

When a short-tempered mobster and his gang of thugs try to shake down a neighborhood bar, they're soon confronted with the wrath of its owner - a mysterious southern mother with a dangerous past.

A roughneck music hall owner grooms a charmnig yet haggard belly dancer to be his new star headliner, but she falls in love with a pianist also in his employ.

William Tell just wants to play cards. His spartan existence on the casino trail is shattered when he is approached by Cirk, a vulnerable and angry young man seeking help to execute his plan for revenge on a military colonel. Tell sees a chance at redemption through his relationship with Cirk.

Sevgi is a singer who works in a bar. Her boss Vural fancies her. Sevgi meets Selim and they fall in love. Selim is unaware of her job at the bar. Vural sends his men to Selim's father to tell him about Sevgi's job, thus prevents her marriage with Selim. Selim doesn't believe in all this. Vural shoots Selim out of jealousy, yet due to lack of evidence he gets released. Sevgi and Vural marry but she takes Selim's revenge in shooting Vural, having no reason to live anymore she shoots herself as well.

1952 reconstruction of Gelabert’s Café Brawl (1897). This remake is the only surviving version, recreating the original lost film’s café fight scene.

Ira translates as “Anger,” but the titular emotion isn’t often conveyed by the unnamed man and woman at the center of this subdued Italian drama set on the grim fringes of society. Instead, they spend their nights working—he in the market, she on the streets—or wandering restlessly and relentlessly around their dark, decaying city. Writer/director Mauro Russo Rouge follows his characters as they drive down roads lit by the yellow glow of streetlights, push through the crowds at a pink-hued nightclub, pick up supplies in a glaringly bright supermarket, and meander down sidewalks with drinks in hand. They rarely emerge into the sunlight; most of the action takes place in claustrophobic indoor spaces or in the cold, gray light of dusk or dawn. So, too, do their expressions remain withdrawn—even when their nascent relationship triggers a decisive act of violence.

A school physician whose son is being bullied at school finds that he must conduct a routine medical examination of one of his son's chief tormentors.

A divorced father takes matters into his own hands when his daughter is brutally raped and murdered.

In the cruel world of junior high, Edwin suffers in a state of anxiety and alienation alongside his only friend, Flake. Misunderstood by their families and demoralized at school daily, their fury simmers quietly until an idea for vengeance offers them a terrifying release.