It's A Boy!

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.

Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.

Over 35 years after Bob Lazar's revelations, this documentary exposes secrets of a facility the government still denies. Featuring Lazar's testimony, recreations, and new evidence, it reopens a case that continues to spark global curiosity

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.

A documentary about the making of David Fincher's 2008 film THE CURIOUS CASE OF BENJAMIN BUTTON. Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.

Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

A look at the origins, history and conspiracies behind the "Majestic 12", a clandestine group of military and corporate figureheads charged with reverse-engineering extraterrestrial technology.

Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.

Unravel the case of Utah therapist Jodi Hildebrandt, whose child abuse arrest with parenting YouTuber Ruby Franke exposed a twisted tale of manipulation.

Experience the meteoric rise of Oasis through rare footage and untold stories as the band reunites for Oasis Live '25, chronicling their journey from Manchester streets to global rock stardom.

Musician and performance artist Laurie Anderson reflects on the deaths of her husband Lou Reed, her mother and her beloved dog.

Years spent recording footage of creatures from every corner of the globe is bound to produce a bit of drama. Here's a behind-the-scenes look.

An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.

Captured during Billie Eilish's sold-out world tour, a concert experience from one of the most celebrated and successful artists of her generation, presented in immersive 3D.

The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.

A poetic story of a proletarian couple’s relationship during the years of economic crisis and unemployment – of all the films directed by E. F. Burian, the film Chceme žít (We Want to Live, 1949) is probably his worst. The intention to create a powerful work of cinema that would combine modern means of expression with the ideological canons of socialist realism failed completely. Ježek and Tarnovski discovered these „shambles“ and tried to rebuild a structure out of the hopelessness and futility of life. Ježek has photochemically “transcribed” selected passages with the greatest possible degree of humility towards the work of the great avant-gardist, Tarnovski similarly makes the soundtrack visible. The improvised encounter of sound and image in dialogic mode can lead to various misunderstandings resulting in ambiguous compromise.

Japanese two female singer-songwriters, Kazumi Nikaido (also known as Nika Soup) and Saya Source (of Tenniscoats, Maher Shalal Hash Baz). Nika is known for her chameleon-like ability to transform her voice, while Saya has a melancholic and straightforward singing style. Both have distinct voices that can be identified immediately, but when they sing in unison, they create melodies that are truly sublime. They have released charming album IPIYA (2005) features playful pop songs reminiscent of nursery rhymes, repetitive mantra-like tracks. The two went back and forth from their homes in Hiroshima and Tokyo to create beautifully diverse songs for this record. This is the documentary of "how" and "why" and also "where" they had made the very original music. Many interviews, rehearsals, free sessions, live performances are included. There is a childlike innocence to this documentary, and offers a peak into the unique world of how they make music.

Jo; or The Act of Riding a Bike is Zefier's third film.

Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.

Set against nostalgic analog noise, this is an ultra-processed film which pays homage to lost media and the dead art of videotaped home movies. Taking place primarily in the United States, two strippers look into getting hired at a club in Colorado, a young musician reunites with her family in Missouri, and a German woman flies from Berlin to the U.S. to help her friend finish a film in Texas.

214 million years ago a gigantic meteorite broke up and impacted Earth. 65 million years ago, the impact that killed the dinosaurs occurred where the country of Belize stands today. 200 thousand years ago early humans were walking and died when they were hit by a 40 meter wide meteorite hit South Africa creating a 1.4 km wide crater. This meteorite fragment, the largest ever found hit Namibia 80 000 years ago and more recently a major impact occurred in Toungouska, Russia in 1908. Every year 10 000 tons of meteoritic matter fall onto Earth in much smaller but not necessarily less influential pieces. This film will explore how the impact of these meteorites big and small through the ages have changed our world and what they brought from outer space with them that may have been the seed of life itself on Earth.

This work is a representation of the deterioration of the first love of Nakano Eiji. He uses a psychedelic effect to represent the deterioration.

Part ethnographic film and part experimental film, கோயில் (The Temple) is a hybrid piece of cinematography that questions the act of observing.

A story of The Map and The Territory. Shot in BC, California, and Nevada. Original music by Tashi Townley, Jack Brintnell, Luc Wiebe, and George Lee.

a poem. trees. fragments of fritz. love—and nothing besides!

CONTACT is a short documentary film directed by Jonathan Walley that chronicles the transformation of an entire skatepark into a playable musical instrument—where the skate, BMX, art, and music scenes collide. HCS has been many things: a skatepark, gallery, library, museum, and stage; but, for one weekend, Derek Nelson fabricator, activist, BMX pro, and artist, transformed his skatepark into an immersive sonic installation—part instrument, part playground—for the community of Binghamton, NY to become co‑creators in a conflagration of sound. SMALL TOWN, BIG SOUND. CONTACT reminds us of the joy in creativity, community, and the DIY spirit. Contact is about pushing boundaries, experimenting with art, and reclaiming space in an increasingly cruel, unkind, and oppressive world. It’s a poetic exploration of the creative process told by a filmmaker who calls HCS home.

Drawing from archives, through the collective force of invention and resistance, and evoking the creative power of Black people, the film summons sonic and visual memories to construct an insurgent remix.

The uninterrupted light trail of one year and ten months, condensed down to 20 minutes, filmed on a self-made camera. Daily rhythms accelerate, slowly at first, then more intensely. A structuralist film about transience.

Between light, metal and silver, a collection of solidarity pins turns into an archive of another scale: spectres of exile and international struggle against Portugal’s fascist and colonial regime.

With the lack of personal video archive, Youhanna (the filmmaker) creates false memories using lost home videotapes shot between the 1990s and 2000s in Europe, Africa, and Asia, with the help of an Artificial intelligence programme, until a real, personal video archive surfaces, transporting him into the past to relive one more memory with his late mother.

A lone passenger is reflected in the windows of a train crawling through layers of textures towards Minsk. During his absence, the city has not changed: all the streets are frozen, long-gone voices can be heard in the empty rooms and around the corner you can find yourself in a video game from your childhood.

Corroded pixels struggle to form an image as they move through Cold War promises of development in rural Thailand, haunted by archival voices.

Back in 2012 I had my very first Ayahuasca ceremony and, needless to say, I was terrified. But it ended up entirely changing my life and that of my future family. Which is why I decided to revisit the medicine in 2018, participating in three Ayahuasca ceremonies over the course of one week in Costa Rica, and document the process. In the film, we tackle my personal story of trying to build London Real into a global media and transformation company while also struggling with my own disconnection from friends, family and my own species. We also dive deep into the division and tribalism currently facing all of us around the world.