Poetry on Film

The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.

After her boyfriend ends their relationship, the dreamself of a heartbroken woman floats through the air over an industrial wasteland singing ballads of love.

Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.

Neil, a self-proclaimed film geek and owner of Gumshoe video, has always been content to live vicariously through his favorite films noir. But when he meets Violet, a real-life femme fatale, his mundane world gets turned upside down and the line between reality and the movies quickly begins to blur.

Paolo, an Italian tour bus driver living in Paris, has just summoned up the courage to propose marriage to his German girlfriend Greta. However, a chance encounter with a French woman on a bicycle the very next day turns Paolo's life upside down.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

An aspiring young filmmaker gets involved with an eccentric gangster for the financing of his first film.

Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, "Very nice, very nice." The film was nominated for an Oscar for Best Live Action Short Film.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

An action epic that explores the origins of the Aqua Teen Hunger Force (better known as Master Shake, Frylock, and Meatwad,) who somehow become pitted in a battle over an immortal piece of exercise equipment.

An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.

Laurel and Hardy try to entertain a female neighbor, unbeknown to Hardy’s wife.

A documentary filmmaker interviews the now-famous Trevor Slattery from behind bars.

Three Chaplin silent comedies "A Dog's Life", "Shoulder Arms", and "The Pilgrim" are strung together to form a single feature length film. Chaplin provides new music, narration, and a small amount of new connecting material. "Shoulder Arms" is now described as taking place in a time before "the atom bomb".

Through the lens of his stunningly immersive performance as Andy Kaufman, Jim Carrey ponders the meaning of life, reality, identity and career.

An intimately raw and magical journey through the life, mind, and heart of iconic artist Frida Kahlo. Told through her own words for the very first time — drawn from her diary, revealing letters, essays, and print interviews — and brought vividly to life by lyrical animation inspired by her unforgettable artwork.

This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized. He is identified by the number 9413 written on his forehead.

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

Gay, alienated Los Angeles teens have a hard time as their parents kick them out of their homes, they don’t have money, their lovers cheat, and they are harassed by gay-bashers.

A grizzled, hard-of-hearing cowboy, Slim, and his two friends, Dusty and Pete, capture a mysterious, well-dressed Frenchman.

The story of a girl, after a breakup, removing her makeup and finding herself again in grief. About life, places, being yourself wherever you are, in love, and not losing yourself, moving through things. "Balaclava Quemado is about not ceasing to be yourself no matter what situation you find yourself in; with or without wearing it, it's the strength to keep going, it's a bit of a symbol of taking the freedom that one can and carries within." Daniela.

Interrogations of patricide offenders, footage of vandalised statues, and photographs of Victorian children in faux gardens are interwoven into a metaphor for the perverse legacy of privilege and wealth inherited by those who inhabit The Garden.

Hauntology of the Retrodromomania is an essayistic motion picture, a locomotory legwork, a deambulatory non-rural land survey, a casual journeying in a punctual dissertation around the phenomenon of the nostalgic feeling, discoursing on a late capitalistic landscape of social emotions, which are of yore, yet coloured of the postmodern tint of pixelated neo-noir, a socio-philosophical flâneur’s trip in critical theory escorted by the spirits of French post-structuralists. For a Sociology of Nostalgia revisited.

Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental.

The story takes place in the year 1977 about the hero fleeing into the forest during the time when soldiers, police suppressed the communists. One day he meets the first villagers, everyone is afraid, but when the hero observes and analyzes that this villager is not disguised. A true villager Little knowledge due to loneliness of having to watch the spot alone, the hero tells the villagers to come back and forth. They are close to each other. It can be seen that only political ideology can divide us. One day the villagers suddenly didn't come as scheduled. The protagonist goes looking for the villagers. making the hero see bad things again

A scientist returns an alien egg back to its mama.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

Through poetry and visuals to symbolize the breaking psyche someone experiences in everyday life, follow this journey of daily mental health struggles.

"In continuo" uses slaughterhouse imagery to present the warlike nature of man, first depicting the cleaning and mechanical preparations for the slaughterhouse and then the killing, however, the animal slaughter itself isn’t shown.

An experimental shortfilm in line with "Lux Æterna", showcasing the footage from Cecil B. DeMille's "King of the Kings". A voiceover pronunces word "Relax" in a hypnotic tone, which was Lux Æterna's working title. It was shown only once in Paris at L'Étrange Festival, at the opening of "Lux Æterna".

A sole bird sits atop a spire, observing those around them.

Europe, 2028. A humanlike creature washes ashore, carrying with him a motionless body he calls his mother. He is on a mission of some kind, reporting on the dwindling human activity in an increasingly automated world.

An accounting of dreams I’ve had while filtered as a D*sney cartoon.

Birth growing and gathering of a family which is not even an average one

A man is preaching, two people are listening, and another pretends he’s freezing to death.

Short aired during the Pippo Chennedy Show

Part of the larger filmic Four Journeys Into Mystic Time, in this work director Shirley Clarke makes use of a dancer’s body not only as the primary performer, but also as a canvas on which to paint projected images. Further enhanced by editing and effective use of shadows, the film is a transformative experience.