Et faran un home

A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.

After losing sight in 1983, John Hull began keeping an audio diary, a unique testimony of loss, rebirth and renewal, excavating the interior world of blindness. Following on from the Emmy Award-winning short film of the same name, Notes on Blindness is an ambitious and groundbreaking work, both affecting and innovative.

Torture chambers, acid vats, greased chutes and gassing rooms were just some of the devices of death designed by the Torture Doctor, H.H. Holmes in his castle of horrors. Follows Holmes' entire life as a criminal mastermind.

In Mexico, where cartel violence has become a part of daily reality and videos of brutal executions circulate online, two people set out to find their missing friend.

Antony, a nurse shaped by his father's early absence and the death of his best friend, moves through his days in a quiet state of disconnection. One night, he encounters a mysterious old man who claims to be a “translator of problems.” Among the buildings of Tlatelolco, hospital wards, and the hidden streets of Mexico City, the two embark on a journey where, little by little, they help each other heal and reframe their understanding of family, death, and salsa.

Nohemí and Mary are two women resisting structural violence in Ciudad Juárez. United by pain and hope, both mothers find inspiration to move their families forward. The dragonfly, a symbol they share, embodies their resilience and capacity for change.

In Culiacán, Sinaloa, 11-year-olds Fabi, Josué, and Francisco bond over shared struggles in their elementary school and use a film workshop to express the violence that surrounds them. Six years later, they reunite to reflect on their experiences and the unsettling normalization of violence in their lives, exploring its impact on their futures.

A Japanese Yakuza gangster's deadly existence in his homeland gets him exiled to Los Angeles, where he is taken in by his little brother and his brother's gang.

Seems like an ordinary trip to a remote beach. Four young women enjoy the warmth of the sun, the coolness of the sea and one another's company. None of them is "Winona"

Lilly convinces her best friend René to join her on a nocturnal trespassing adventure. The two young women break into a zoo and enter an idiosyncratic animal kingdom where the boundaries between fear and desire begin to blur.

The Show Must Go On is a personal journey behind the scenes that confronts the epidemic of mental health issues in the Australian entertainment industry.

Two withdrawn individuals constantly seeking human connection, role-play their first accidental encounters

Three brothers: Bob, Will and Charlie, all are in love with Mae. Bob, the eldest, is sullen and revengeful, and Mae is afraid of him. Will, the middle brother, is a happy-go-lucky boy with whom she falls in love, and Charlie, the youngest, sacrifices his own feelings for Will, who loves Charlie devotedly. Will and Mae are engaged. During his absence in the city, where he is trying to get a hold in business, so that he and Mae can marry, Bob makes violent love to his brother's fiancée. Charlie comes to her rescue. Learning of the episode, Will later has word sent home that he is dead, and Mae marries Charlie. Some time after this, Will cannot resist coming home to see his mother and Charlie, though he intends that Mae shall not know of his return. Before he can slip away, however, an incident occurs in which he is called upon to save Charlie's life. His presence and his heroism become known to Mae. The inference is that she had a good deal of a struggle to overcome vain regrets.

As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.

Paris, 1960s. Momo, a resolute and independent Jewish teenager who lives with his father, a sullen and depressed man, in a working-class neighborhood, develops a close friendship with Monsieur Ibrahim, an elderly Muslim who owns a small grocery store.