The Flower Market

After an unexpected phone call, Laura and her brother Elliot rush to their family’s country estate to find their mother, Lilly, gravely ill and living with a handsome young stranger named Ted. Estranged for some time, their mother’s condition sets Laura and Elliot on a path to realizing where their own lives have gone wrong.

In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover and their shy gay friend plan on attending the wildest party of the year. But they'll only make it if they can survive the drug trips, suicides, trysts, mutilations and alien abductions that occur as one surreal day unfolds.

Gay, alienated Los Angeles teens have a hard time as their parents kick them out of their homes, they don’t have money, their lovers cheat, and they are harassed by gay-bashers.

Benjamin, a rising star filmmaker, is on the brink of premiering his difficult second film No Self at the London Film Festival when Billie, his hard drinking publicist, introduces him to a mesmeric French musician called Noah.

Benny, a college freshman at the University of Akron, Ohio meets and falls for fellow freshman Christopher at a football game. With the support of their families and friends they embark on a new relationship. But a tragic event in the past involving their mothers soon comes to light and threatens to tear them apart.

Ambitious artist Jabari attempts to balance success and love when he moves into his dream Manhattan apartment and falls for his next-door neighbor.

Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.

Gabriel is a young, aspiring musical composer whose life seems stuck in the First Act. When his new musical number gets a critical reception, a theatre colleague, Perry, tells Gabriel that he needs to get a life before he can write about one – so he heads straight for his local gay bar.

A young man in a tricky situation follows the advice of his unconventional best friend and uses social media to create a fake boyfriend to keep his awful ex-lover out of his life. But everything backfires when he meets the real love of his life, and breaking up with his fake boyfriend proves hard to do.

Alex Truelove is on a quest to lose his virginity, an event eagerly awaited by his patient girlfriend and cheered on with welcome advice by his rowdy friends. But Alex, a super gregarious dude, is oddly unmotivated. A magical house party throws Alex into the presence of Elliot, a hunky college guy, who pegs Alex as gay and flirts hard. Alex is taken aback but after a series of setbacks on the girlfriend front he takes the plunge and learns some interesting new facts about himself.

A group of gay friends spend summer weekends together at a lakeside house in upstate New York. As the season progresses and secrets begin to surface, the complex relationships within the group are sometimes strained and sometimes strengthened.

Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.

Two gay men are possibly, probably, stumbling towards love. Maybe. They're both very busy.

At a birthday party in 1968 New York, a surprise guest and a drunken game leave seven gay friends reckoning with unspoken feelings and buried truths.

Alejandro is an aspiring toy designer from El Salvador, struggling to bring his unusual ideas to life in New York City. As time on his work visa runs out, a job assisting an erratic art-world outcast becomes his only hope to stay in the country and realize his dream.

On the outskirts of Brooklyn, Frankie, an aimless teenager, suffocates under the oppressive glare cast by his family and a toxic group of delinquent friends. Struggling with his own identity, Frankie begins to scour hookup sites for older men.

Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.

In a seemingly perfect community, without war, pain, suffering, differences or choice, a young boy is chosen to learn from an elderly man about the true pain and pleasure of the "real" world.

Biographical drama based on the last 20 years of Crisp's life. The literary figure and gay iconoclast emigrated to New York in 1981 and lived there until his death. The film observes Crisp in both his public and private lives, from his seemingly cavalier response to the outbreak of AIDS to his tender relationship with his friend Patrick Angus and his own response to growing old.

A white dropout struggles to become a cartoonist and filmmaker, drawing inspiration from the harsh, gritty world around him. Still sharing his rundown apartment with his middle-aged parents, an oafish slob of an Italian father and a ditzy nutcase of a Jewish mother, he's ridiculed and looked down upon by his friends, hypocrites who run with violent gangs and the Italian Mafia, and a shallow Black girl who makes her living downtown with the pimps and pushers. The cartoonist gets a chance to pitch a film idea to a movie mogul, but the story proves too outrageous: a far-future Earth, depleted by war and pollution, where a mutant antihero challenges and kills God.

Relaxing in the park, haunted by the tower, city, and modern world, hallucinated by the internet.

Two drag performers and a transgender woman travel across the desert to perform their unique style of cabaret.

Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his clients is murdered and Detective Sunday begins pumping him for details on his different clients, something he is reluctant to do considering the nature of his work. Julian begins to suspect he's being framed. Meanwhile Michelle begins to fall in love with him.

Baptiste is a gay man who can't stop dreaming about a woman who works at a local pub. His desire for her makes him go on a journey that he could had never imagined.

On his 21st birthday, Davy wanders into a gay bar and meets the man of his dreams.

Set in an exclusive boy's school, about a man who plans to kill off his wealthy teacher wife by encouraging her to drink and pushing her into suicide. To assist him he recruits a young student who will claim that he was sexually assaulted by her. (from: http://ftvdb.bfi.org.uk/sift/title/390627)

Richard Fontaine and Bob Mizer started the current exploration of the male nude in film and photography. The two shared ideas props and models and reinvented some of the sexual icons that we all still recognise today. The gladiator the sailor, the cowboy… Starting with posing-straps and graduating to nudes their "art studies" enlisted the talents of up-and-coming actors and bodybuilders. This film recalls that era.

One of the earliest posing-pouch films to feature sound.

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again (1969), is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)

A documentary incorporating footage of Montgomery Clift’s most memorable films; interviews with family and friends, and rare archival material stretching back to his childhood. What develops is the story of an intense young boy who yearned for stardom, achieved notable success in such classic films as From Here to Eternity and I Confess, only to be ruined by alcohol addiction and his inability to face his own fears and homosexual desires. Montgomery Clift, as this film portrays him, may not have been a happy man but he never compromised his acting talents for Hollywood.

Chisato is a beautiful 35-year-old writer, who looks like 18, and the father of Riju, a cute 15-year-old boy. Chisato's hobby is to drive away all of Riju's friends because he thinks they want to corrupt his precious child, so he shows his good side to these boys while he poisons the cake he brings them with a smile; however, there is one guy, Shunsuke, who doesn't fall for the tricks. But is Shunsuke really aiming for Riju? Who is that mysterious writer Chisato loves so much? And why is Chisato convinced that Riju's friends want to take advantage of him?

A homosexual movie about two strangers in quarantine.

After a boat accident where he puts his son Flavio’s life at risk, fisherman Capudemazza decides to never go fishing again. Ten years later a discovery about his son awakens a feeling in him that had been buried.

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

Just out of their teens, young men Liam and Anatole were in the throes of an exciting relationship- until they had fight, and Anatole disappeared. Liam can’t accept breakup. And, since his boyfriend doesn’t reply to his calls and text messages, Liam decides to follow him to a Halloween organized by one of Anatole’s friends to try find him. The wild night that ensues will test boys’ true feelings for each other, as well as force them to confront some hard inner truths once and for all.

Controversial documentary about gay men purposely contracting the AIDS virus.

When Joseph meets Tim at a diving competition, Tim invites him to see the roof, and when he kisses him, Joseph begins to see more than that.

When an introverted teenager photographs an charming backpacker naked in a caravan shower block he must choose between keeping his precious secret or saving his friendship.

In this documentary LGBTs living in Suriname and Surinamese LGBTs living in the Netherlands are sharing their personal stories about the difficulties they experience because of their sexuality.

Redheads. Fire crotches… This film collects samples of their testimonials and their body hair and skin. About being different genetically, about gay gingers, doubly in a minority, from Ireland to Israel to Brazil. A film made especially for ginger lovers.