Jodie Promo

In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.

Unprecedented access to Muhammad Ali's personal archive of "audio journals" as well as interviews and testimonials from his inner circle of family and friends are used to tell the legend's life story.

Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

Musician and performance artist Laurie Anderson reflects on the deaths of her husband Lou Reed, her mother and her beloved dog.

Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.

This revealing documentary honors the legendary Sidney Poitier—iconic actor, filmmaker, and civil rights activist. Featuring interviews with Denzel Washington, Spike Lee, Halle Berry, and more.

A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.

Giving fans unprecedented access to the real life of the music sensation, Katy Perry: Part of Me exposes the hard work, dedication and phenomenal talent of a girl who remained true to herself and her vision in order to achieve her dreams. Featuring rare behind-the-scenes interviews, personal moments between Katy and her friends, and all-access footage of rehearsals, choreography, Katy’s signature style and more, Katy Perry: Part of Me reveals the singer’s unwavering belief that if you can be yourself, then you can be anything.

In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.

From the heights of her modeling fame to her tragic death, this documentary reveals Anna Nicole Smith through the eyes of the people closest to her.

In the early-morning hours of July 23, 2007, in Cheshire, Conn., ex-convicts Steven Hayes and Joshua Komisarjevsky broke into the family home of William Petit, his wife, Jennifer, and their daughters, Michaela, 11, and Hayley, 17. Dr. Petit was beaten and tied to a pole in the basement. The three women were bound in their bedrooms while the men ransacked the house. The brutal ordeal continued throughout the morning, ending with rape, arson and a horrific triple homicide.

An unprecedented and intimate look at the life, work and enduring legacy of British actress Audrey Hepburn (1929-1993).

Using the book 'Fragments', which collects Marilyn Monroe's poems, notes and letters, and with participation from the Arthur Miller and Truman Capote estates who have contributed more material, each of the actresses will embody the legend at various stages in her life.

Those who knew iconic funnyman John Candy best share his story, in their own words, through never-before-seen archival footage, imagery, and interviews.

BBC Arena's documentary on the Dames of British Theatre and film featuring Maggie Smith, Eileen Atkins, Judi Dench and Joan Plowright on screen together for the first time as they reminisce over a long summer weekend in a house Joan once shared with Sir Laurence Olivier.

A documentary about ten very different lives connected by having appeared onscreen wearing masks or helmets in Star Wars.

Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs, the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.

Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.

A darkly beautiful visual essay that explores human emotion in response to societal standards. With a lone cello providing the soundtrack, this collage of archival footage from 1950’s-era films is a superb example of manipulation via sound and image (Dorothy Woodend, DOXA Documentary Film Festival)

A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.

Hot Splice is a semi-serious short documentary that highlights how destructive film repairs leave behind raw materials to experiment and play with. In a mixture of archival video, 16mm film scans, inexplicable French narration, and Atlanta trap history, this short takes bits and pieces collected during my time as an archival assistant to make something nouveau.

In an experimentally compiled film review, Danielle Jaeggi, Paule Baillargeon and Claudia von Alemann reflect on their work as filmmakers and life as mothers. Just as the title is based on Michel Leiris' book of poems Bright Nights and Many a Dark Day, the film has its own poetry, which is also evident in shots of everyday activities, such as hands washing dishes. “Just the hair or the relationship of the hands to each other or gestures, and then words come in between and film clips that we talk about, and we were amazed to find that the women we portray in the films always have a lot of trouble with theirs Identity, their search for something, for lost people or lost things. “They are usually looking for something that has been lost, forgotten or gone,” said Claudia von Alemann in the 1992 interview conducted by Renate Fischetti, A Pioneer of Female Film Language. An essay about desire, doubt, contradictions. (fib)

From the Marx Brothers to Schindler's List, this compilation of Jewish film trailers offers a glimpse at the history of Jews in American cinema. A mixture of humor, social commentary, and drama, these original coming attractions trailers offer insight into the relationship between Hollywood's studio marketing departments and the growing visibility of Jews in American life. Trailers Schmailers includes spotlights on Woody Allen and Barbra Streisand, an overview of films about New York Jewish life, a look at the evolution of films about the holocaust, and more.

History of Dutch women working behind the scenes of moviemaking.

A compilation of "coming attractions" from bad '50s melodrama through the greatest disaster movies of the '70s. Features a chain of your divas including Bette Davis in What Ever Happened to Baby Jane?, Jeanne Moreau in Mademoiselle, Elizabeth Taylor in Butterfield 8 and Boom, Kim Novak in The Legend of Lylah Clare, Susan Hayward in I'll Cry Tomorrow, and Judy Garland in I Could Go On Singing. One clips is a young Rock Hudson promoting Christmas Seals. Bride of Trailer Camp includes specimens of movie trailer artistry.

This spectacular showcase of vintage movie trailers offers a crash course in lesbian, gay, bi and transgender (LGBT) movie history and a colorful look at nearly every major mainstream queer-themed film produced between 1953 and 1977! Archivist Jenni Olson is one of the world’s leading experts on LGBT film history — curated from her private collection of rare original 35mm coming attractions trailers, Homo Promo has entertained audiences at LGBT film festivals around the world offering a campy cavalcade of coming attractions. Please note: The condition of these original 35mm archival prints varies — enjoy the wear and tear and rest assured that they have now all been donated to the Outfest/UCLA Legacy Project for LGBT Film Preservation where they are now being properly cared for.

A hybrid feature film that investigates contemporaneity through the body and its countless possibilities of expression and meanings. The film puts the body and the idea of the body in evidence, through metalanguage, articulation and confrontation of documentary, fictional and performative languages. The film follows the trajectory of the main character who uses her own body to formulate universes and investigate the meanings that are drawn in it. In a kind of subjective diary written on her skin, she records sensations and reflections, building relationships with thinkers, performances and archival materials, which lead her to other bodies and other stories.

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.

Dominique, Suzanne, and Annette: three women who participated in the adventure of the Medvedkine groups (Besançon, Sochaux, 1967-1974). In those same years, the lives of our grandmothers and mothers experienced decisive changes: they worked outside the home and revolutionized customs. A group of Besançon students are investigating those events and questioning their own family memory.

“Sisters” is a deeply personal story about my journey back to my home country of Venezuela to investigate the possibility of a long lost sister.

Filmmaker Erin Hobden travels back to her home town to explore her father's documenting of her childhood.

A short documentary and character study about a woman's complex relationship with religion and family.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

The horror film genre’s most iconic Scream Queens are featured in this documentary about women’s roles and triumphs, both on-camera and off.

Film archivist and former director of the San Francisco Lesbian and Gay Film Festival Jenni Olson created this fast-paced and often funny, campy 75-minute film comprised entirely of spliced together movie trailers. Some of the segments have themes such as a breezy look back at John Travolta's career that includes trailers from such films as Saturday Night Fever, Staying Alive, Grease, Perfect, and Moment by Moment. Other trailers include Mae West in Sextette, the disco camper Thank God It's Friday, Raquel Welch in Kansas City Bomber, Pier Paolo Pasolini's The Gospel According to St. Matthew and the rarely seen Chastity, the serious acting debut of Cher.

An American lesbian in Cuba explores gender through dance and film, blending personal experiences and cultural symbols with music and Revolutionary cinema and questions how lesbians fit into Cuban cinema.

To produce speech, a set of mechanisms must be brought together. What is the normal articulation for speech? How to produce the sounds that make it up in the correct way? A physiological analysis of the aspects of speech shows us how: the jaw must move in a certain way; the air must be expelled from the lungs in another. Based on the concepts stated in the film "Normal Speech Articulation" (1965), produced by the University of Iowa (USA), we intend to reflect on the way women have been represented, and consequently educated, over the years, both in film and in the media. Largely composed of archival footage, this film intends to make evident, through a montage inspired by Structuralist movements, the violence of this education.