Do Canto ao Pio

After the high-profile killing of Damilola Taylor, Cornelius' family move out of London. But when they discover their new town is run by racists, Cornelius takes a drastic step to survive.

A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.

The film follows adventurer Jeff Johnson as he retraces the epic 1968 journey of his heroes Yvon Chouinard and Doug Tompkins to Patagonia.

A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.

Ranjit, a farmer in India, takes on the fight of his life when he demands justice for his 13-year-old daughter, the victim of a brutal gang rape. His decision to support his daughter is virtually unheard of, and his journey unprecedented.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

Thirty-four days before she's sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss.

A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. The filmmakers plan to re-interview them at 7 year intervals to track how their lives and attitudes change as they age.

Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

A documentary about the life and films of director John Ford.

In a crime-plagued neighborhood near Miami, brutal, bare-knuckled backyard fights give young men a chance to earn money -- and self-respect.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Just two years away from turning 30, participants in Michael Apted's documentary series are facing serious questions of identity and purpose, wondering whether they've found their place in the world.

Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.

A documentary on the making of the three Godfather films, with interviews and recollections from the film makers and cast. This feature also includes the original screen tests of some of the actors for "The Godfather" film, and some candid moments on the set of "The Godfather: Part III."

After another 7 year wait, director Michael Apted revisits the same group of British-born children from Seven Up! and 7 Plus Seven. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

A documentary about ten very different lives connected by having appeared onscreen wearing masks or helmets in Star Wars.

A real-life undercover thriller about two ordinary men who embark on an outrageously dangerous ten-year mission to penetrate the world's most secretive and brutal dictatorship: North Korea.

The film made by the artistic duo of Lucie Rosenfeldová and Matěj Pavlík deals with the phenomenon of phosphene - the phenomenon when variously coloured lights appear in our vision when pressure is applied to our eyes. Based on this remarkable phenomenon, often called inner sight, which has fascinated philosophers, physicians and scientists since antiquity, in their black-and-white imaginative film, the authors reveal how much human perception is influenced by social, cultural and ideological factors.

A found-footage film made entirely from Academy leader, which is normally used to cue the start of films. The film was hand-printed on a home-made contact printer. It was rolled back and re-printed several times over, to create a complex layering of both image and sound.

Nurture, nature, voicemails, photographs.

This film is an imprint on the film strip, an imprint in the mind just like a memory of my father’s garden where a child is playing; an imprint of the father on the garden as a reflection of his character; an imprint of the garden on the father; an imprint of him on a person. As if the seeds were falling from his beard, skin, or hair and become the garden, roots, sprouting and growing, just like a child.

Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”

An embodied investigation into Britain's only named wind - The Helm - WHEN THE CROWS WALKS HOME takes the viewer on an immersive journey with (and by) the Helm Wind.

This film, which was shot on Super-8 and camcorder, is an exploration on forgotten and abandoned sacred sites in England, one of them being the Celtic cross that stands behind a church in Eastbourne.

Designing artificial relationships between found or stolen elements is a technique that seeks to discuss found footage. Credere a tutto tells about houses and living beings and has developed by intertwining ancient photos, a text, a film sequence and original video footage. Materials that take on time, space and new meanings within the expanded vision of the so-called “spectators”. A techno music session while séances and panoramic views of derelict houses question us about what we see and what we cannot see.

Together, the three Bertrand brothers work their farm in a small Savoyard village. In 1972, they took the enormous risk to invest in the construction of an ultra modern stable for 82 milk cows. With modern organisation, they hoped to lead a better life. Almost 30 years later, the farm is successful. Their work is meticulous and the milk is graded top quality. The human cost is much more sombre. Indeed these thirty years can be summarised in one word : work. The brothers are bachelors and – each one now over sixty years old – a bitterness when they recall their past. The younger brother says it himself: "It's an economic success, but it's a human failure...".

Images of something like nature struggling to endure against the noise of an entropic electronic signal.

Daily dedications to a minor artisan of the classical Hollywood western. Each segment was originally a kind of letter, a private correspondence, sent in fragments to a friend over a few weeks—an ode to R.G. but also to B.C. (an ode to cinema, to everyday life, and to the cinephilic fantasy of their becoming indistinguishable).

Someone tells of a dream he had, which was to go fishing and get lots of fish, this kind of dream is often associated with a symbol of good luck. But he was afraid that the dream would happen again and again, from generation to generation.

A stop motion/collaged based independent short film plays with the recontextualisation of memories and how time distorts them.

In early summer of 2025, when Immigration and Customs Enforcement (ICE) officials began detaining migrants at their asylum hearings, an ad-hoc network of New Yorkers began showing up to the Kafkaesque court houses. They came to bear witness, share information and express solidarity with immigrants, by accompanying them into their hearings. Through the testimonies and ruminations of courtwatchers, the film asks: What does it mean to witness atrocity? Can the act alone be a form of resistance? What are the psychological impacts of one's inability to help, and the isolation one feels when they witness something most others do not? How do people support their neighbors in an increasingly repressive political landscape?

An experimental short film about wind and sunlight sweeping across tree leaves.

Dwellings and footpaths carved in rock echo a history of living in sync with the natural world. A distance away, a geological anomaly reverberates in deep time.

An anonymous friend of filmmaker Océane Buxton notices her striking resemblance to Modeste Niquette, a missing woman he once knew. Modeste claimed recurring encounters with extraterrestrials, documenting them through photography before her unexplained disappearance gave her an almost mythical status. Together, Océane and her anonymous friend reconstruct a portrait of this ghostly figure through a docufiction collage of memories, images, and small-town gossip.

Film produced and directed by Ricky Leacock, Edward Pincus, and MIT Center for Advanced Visual Studies documenting the Centerbeam kinetic sculpture project and its first installation at documenta 6 in Kassel, Germany in 1977

Surreal film melding documentary footage of Chicago and its residents, featuring fast paced montage sequences set against a rollicking 1960s musical backdrop. The film aptly deconstructs the absurdities of contemporary American life, particularly the thick fog of patriotism engulfing the country at the time.

Forming part of a film constellation that stretches from Chile across the Pacific, in which Malena Szlam trains her camera on far-flung volcanic landscapes — by turns barren and verdant — the dazzling in-camera multiple exposures of Archipelago of Earthen Bones — To Bunya evoke the layered histories of the titular Bunya Mountains in eastern Australia’s Beerwah region, further deepened by sonified atmospheres from artist Lawrence English.