Smaïn - Comme ça se prononce

Comedian Florence Foresti supersizes her act in an arena show packed with sketches, celebrity impressions, epic dance routines and special guests.

Rowan Atkinson and Angus Deayton in Boston doing a live performance of the same styles of humor we've seen in Mr. Bean and Blackadder. Included are lessons on Shakespearean acting, a school headmaster meeting with the father of a boy he's beaten to death, and tips for having a successful date.

Blanche offers us her new stand-up, creation 2018. She spares no one. Not even her own guts, which she still delivers to us smoking on the altar of self-derision.

Adam Sandler hits the stage for a thrillingly unpredictable comedy special featuring songs, jokes, party-crashing dogs and plenty of love.

From his onstage tackle to the slap heard round the world, Dave Chappelle lets loose in this freewheeling and unfiltered stand-up comedy special.

The story of a big party during which Jacques Tati brings together audience members, performers, clowns, children, and himself.

At the Comédie-Française, there is one golden rule: the play is never canceled. Unfortunately for Nina, everything else is—just three hours before the premiere of her first staging. An actor is stuck on a train, tensions explode, equipment breaks down, egos clash, and panic sets in. With no way out and time slipping away, Nina must hold the show together at all costs. Will she make it until the curtain rises?

Chris Rock delivers an electric stand-up set on non-racist yoga pants, spoiling his kids, the Kardashians and his thoughts on the Will Smith fiasco.

Filmed at the Celebrity Theatre in Phoenix, AZ on February 15th and 16th, 2013, Oh My God is Louis C.K.'s fifth stand-up special, his first for HBO since 2007's Shameless, and his first since winning a Emmy Award for writing on his acclaimed show on FX, Louie. Performed in the round in front of a live audience, he discusses such topics as the food chain, animals, divorce, strange anecdotes, broken morality, murder and mortality.

Monty Python perform many of their greatest sketches at the Hollywood Bowl, including several from pre-Python days.

In what might be his most personal and introspective hour yet, Bill offers hilarious takes on everything from male sadness to dating advice.

John Mulaney relays stories from his childhood and "SNL," eviscerates the value of college and laments getting older in this electric comedy special.

Ricky Gervais tackles life, death and the state of the world in a brutally honest special that spares no topic, even his own mortality.

In a rowdy stand-up set, Shane Gillis riffs on his girlfriend's Navy SEAL ex, touring George Washington's house and being bullied by an Australian Goth.

Hawaiian-shirt enthusiast Gabriel "Fluffy" Iglesias finds the laughs in racist gift baskets, Prius-driving cops and all-female taco trucks.

Chris Rock, the three-time Emmy Award-winner, comedian, actor, and host of HBO's acclaimed The Chris Show, stars in his fourth solo stand-up special for HBO, Chris Rock: Never Scared. Featuring his unique, insightful, and hilarious views on a host of social, political and, celebrity issues, Rock confirms his stature as the leading comic of our time.

Dylan Moran returns with an all-new stand-up show. Unpredictable, startling, bizarre, elegiac, but above all brilliant and hilariously funny, Moran is a master of comedy.

Returning for a second Netflix comedy special, Jim Jefferies unleashes his famously ferocious black humor to a packed house in Nashville, Tennessee.

In her first-ever HBO solo special, Sarah Silverman takes the stage for an evening of adults-only stand-up comedy. Taped live in front of an intimate audience of 39 fans at Largo, a music and comedy club in Los Angeles, Sarah Silverman: We Are Miracles features Silverman taking aim at such subjects as cell-phone porn, crazy religions, specialty deodorants, terrible roommates, eyebrow waxing, her 19-year-old dog, Obama and Republicans, having babies, Pixar movies, the miracle of existence, and more.

Sarah Silverman appears before an audience in Los Angeles with several sketches, taped outside the theater, intercut into the stand-up performance. Themes include race, sex, and religion. Her comic persona is a self-centered hipster, brash and clueless about her political incorrectness. A handful of musical numbers punctuate the performance.

Pierre-Emmanuel Barré & Aymeric Lompret have a message: “Do you like bison, saturated fats, and semi-automatic weapons in elementary schools? Then you’re going to love the UNITED STATES OF AMERICA! On the other hand, you’re not going to enjoy this show all that much, because the festival organizers refused to give us a bison, an elementary school, and semi-automatic weapons. Don’t worry, it’s still good.”

Recorded in May 2024 at the Théâtre de la Renaissance in Paris. For his first show, Monsieur Poulpe gives his all, combining sincerity and madness. It's a tightrope act to which he invites an audience won over by his gentle madness and his inpredictable world.

Philippe-Audrey's solo show: his deadpan humor, sometimes scathing, and his slightly offbeat, funny dandyish appearance prove to be a unique offering that lives up to expectations.

Sheng Wang shares his thoughts on edible bras, braving the ghosts in your house and guarding expensive berries from your friends' kids.

25 years after the beginning of her career, Florence Foresti speaks frankly about seduction, in a funny and striking tone. This is an opportunity for the comedian to take stock of the state of male-female relations five years after #MeToo.

Rowan Atkinson and Angus Deayton in Boston doing a live performance of the same styles of humor we've seen in Mr. Bean and Blackadder. Included are lessons on Shakespearean acting, a school headmaster meeting with the father of a boy he's beaten to death, and tips for having a successful date.

From a tour of Paris in a tourist bus, to a father who has decided to become a "stay-at-home dad", to a manager who believes in his rap group, Smaïn underlines with his words and humor the flaws of our society that are, in the end, so familiar to us.

Seuls is a show about us, about what we hide, what we deny, and what we pretend not to see. There are no taboos and no moral lessons, just an observation of the absurdities that surround us.

The film tells about the cold relations between neighbors. However, an old woman who enters this building seems to melt this cold ice. The neighbors begin to get to know each other.