Commute

A deep dive into the making of the Paranormal Activity films with first time ever interviews with cast and crew, never-before-seen footage from the movies, and a preview of the seventh installment in the franchise.

Delving into our collective nightmares, this horror-documentary investigates the origins of our most terrifying urban legends and the true stories that may have inspired them.

The definitive zombie culture documentary, brought to the screen by the makers of THE PEOPLE vs. GEORGE LUCAS.

A chronicle of the life, work and mind that created the Cthulhu mythos.

A filmmaker who grew up alongside Chucky the killer doll seeks out the other families surrounding the Child's Play films as they recount their experiences working on the ongoing franchise and what it means to be a part of the, "Chucky" family.

A lyrical and spiritual cinematic essay on The Exorcist, the last film of Alexandre O. Philippe explores the uncharted depths of William Friedkin’s mind’s eye, the nuances of his filmmaking process, and the mysteries of faith and fate that have shaped his life and filmography.

James Cameron and Simcha Jacobovici go on an adventure to find the lost city of Atlantis by using Greek philosopher Plato as a virtual treasure map.

Delving into a century of genre films that by turns utilized, caricatured, exploited, sidelined, and finally embraced them, this is the untold history of black Americans in Hollywood through their connection to the horror genre.

Thirty-plus years after its release, the popular two-part miniseries "It" and its infamous villain Pennywise live on in the minds of horror fans around the world. This documentary captures not only the buzz the "It" saga generated in 1990 but also the lasting impact it has had on an entire generation and the horror genre at large. Several years in the making, the film features exclusive interviews with many of the cult classic's key players, from cast members Richard Thomas, Seth Green, and Tim Curry, who portrayed the notorious monster clown Pennywise, to director Tommy Lee Wallace and special effects makeup artist Bart Mixon. The documentary also boasts a wealth of archival material and never-before-seen footage.

The ultimate ‘80s Horror retrospective just got BIGGER. In Search of Darkness: Part II is a four-hour-plus sequel to the Rondo Hatton-nominated In Search of Darkness, adding 15 new interviewees and 40+ returning favorites for the biggest and most comprehensive ‘80s Horror documentary cast ever assembled.

An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.

A non-stop roller coaster ride through the scariest moments of the greatest terror films of all time.

This remarkable journey across our planet and universe explores how meteorites, shooting stars, and deep impacts have awoken our wonder about other realms—and make us rethink our destinies.

Black holes stand at the limit of what we can know. To explore that edge of knowledge, the Event Horizon Telescope links observatories across the world to simulate an earth-sized instrument. With this tool the team pursues the first-ever picture of a black hole, resulting in an image seen by billions of people in April 2019. Meanwhile, Hawking and his team attack the black hole paradox at the heart of theoretical physics—Do predictive laws still function, even in these massive distortions of space and time? Weaving them together is a third strand, philosophical and exploratory using expressive animation. “Edge” is about practicing science at the highest level, a film where observation, theory, and philosophy combine to grasp these most mysterious objects.

Making of featurette for Sherlock Holmes (2009).

A woman’s Holocaust memoir takes the world by storm, but a fallout with her publisher-turned-detective reveals her story as an audacious deception created to hide a darker truth.

An exploration of '80s horror movies through the perspective of the actors, directors, producers and SFX craftspeople who made them, and their impact on contemporary cinema.

In 1994, a 13-year-old boy disappeared without a trace from his home in San Antonio, Texas. Three-and-a-half years later, he is found alive in a village in southern Spain with a horrifying story of kidnap and torture. His family is overjoyed to bring him home. But all is not quite as it seems.

This documentary delves into the mysteries surrounding the Neanderthals and what their fossil record tells us about their lives and disappearance.

Reaching 29,029 feet, Mount Everest has long captivated mountaineers of all stripes. But a peak that draws athletes and mountaineers to new heights isn’t without danger — or a dark side. Perhaps the peak’s greatest mystery is the missing body of Andrew “Sandy” Irvine who disappeared alongside George Leigh Mallory in 1924 just 800 vertical feet from the summit. In Lost on Everest, we follow along as a team of elite climbers with new intel on the location of his missing body set out to solve what may be mountaineering’s great mystery. Along with the body, the team hopes to find Irvine’s camera and the footage that could rewrite history.

A poetic story of a proletarian couple’s relationship during the years of economic crisis and unemployment – of all the films directed by E. F. Burian, the film Chceme žít (We Want to Live, 1949) is probably his worst. The intention to create a powerful work of cinema that would combine modern means of expression with the ideological canons of socialist realism failed completely. Ježek and Tarnovski discovered these „shambles“ and tried to rebuild a structure out of the hopelessness and futility of life. Ježek has photochemically “transcribed” selected passages with the greatest possible degree of humility towards the work of the great avant-gardist, Tarnovski similarly makes the soundtrack visible. The improvised encounter of sound and image in dialogic mode can lead to various misunderstandings resulting in ambiguous compromise.

Japanese two female singer-songwriters, Kazumi Nikaido (also known as Nika Soup) and Saya Source (of Tenniscoats, Maher Shalal Hash Baz). Nika is known for her chameleon-like ability to transform her voice, while Saya has a melancholic and straightforward singing style. Both have distinct voices that can be identified immediately, but when they sing in unison, they create melodies that are truly sublime. They have released charming album IPIYA (2005) features playful pop songs reminiscent of nursery rhymes, repetitive mantra-like tracks. The two went back and forth from their homes in Hiroshima and Tokyo to create beautifully diverse songs for this record. This is the documentary of "how" and "why" and also "where" they had made the very original music. Many interviews, rehearsals, free sessions, live performances are included. There is a childlike innocence to this documentary, and offers a peak into the unique world of how they make music.

Jo; or The Act of Riding a Bike is Zefier's third film.

Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.

A short, silent, experimental film created by avant-garde created by Ukranian-born artist, Anna Malina.

Set against nostalgic analog noise, this is an ultra-processed film which pays homage to lost media and the dead art of videotaped home movies. Taking place primarily in the United States, two strippers look into getting hired at a club in Colorado, a young musician reunites with her family in Missouri, and a German woman flies from Berlin to the U.S. to help her friend finish a film in Texas.

This work is a representation of the deterioration of the first love of Nakano Eiji. He uses a psychedelic effect to represent the deterioration.

Part ethnographic film and part experimental film, கோயில் (The Temple) is a hybrid piece of cinematography that questions the act of observing.

A story of The Map and The Territory. Shot in BC, California, and Nevada. Original music by Tashi Townley, Jack Brintnell, Luc Wiebe, and George Lee.

a poem. trees. fragments of fritz. love—and nothing besides!

The Red Tide follows a life changing move to Florida. Exploring a new home located near famous earthworks by Robert Smithson, the enormous art collection-turned-museum of John Ringling, and beaches plagued by a toxic phenomenon called the ‘red tide’. Beginning with a recreation of Nancy Holt and Robert Smithson’s 1969 film, Swamp, the film describes a confusion between multiple anxieties: art’s legacy, climate change, and a longing to stay connected. Taken From Sally Lawton's Website: http://www.sallylawton.net/the-red-tide.html

Filmmakers Sam and Amy journey into rural Australia to explore how the legacy of an American legend has transmitted and warped itself over time, and across the globe, resulting in the 30th annual Parkes Elvis Festival.

A personal documentary questioning the ways in which family imposed narratives force us into roles that we spend our lives either rebelling against or conforming to.

CONTACT is a short documentary film directed by Jonathan Walley that chronicles the transformation of an entire skatepark into a playable musical instrument—where the skate, BMX, art, and music scenes collide. HCS has been many things: a skatepark, gallery, library, museum, and stage; but, for one weekend, Derek Nelson fabricator, activist, BMX pro, and artist, transformed his skatepark into an immersive sonic installation—part instrument, part playground—for the community of Binghamton, NY to become co‑creators in a conflagration of sound. SMALL TOWN, BIG SOUND. CONTACT reminds us of the joy in creativity, community, and the DIY spirit. Contact is about pushing boundaries, experimenting with art, and reclaiming space in an increasingly cruel, unkind, and oppressive world. It’s a poetic exploration of the creative process told by a filmmaker who calls HCS home.

An ode to anger.

This film is an exercise in observational cinema and it's emotional effect on the viewer. Shot on iPhone 11 and completed within a two hour timeframe.

Drawing from archives, through the collective force of invention and resistance, and evoking the creative power of Black people, the film summons sonic and visual memories to construct an insurgent remix.