Xiānghé

From its distinctive neighborhoods to its architectural homes, Los Angeles has been the backdrop to countless movies. In this dazzling work, Andersen takes viewers on a whirlwind tour through the metropolis' real and cinematic history, investigating the myriad stories and legends that have come to define it, and meticulously, judiciously revealing the real city that lives beneath.

A chronicle of the rise and fall of O.J. Simpson, whose high-profile murder trial exposed the extent of American racial tensions, revealing a fractured and divided nation.

Oliver Stone charts the history of the United States from the Second World War to the present.

The film interweaves the stories of two generations of Palestinians. It tells the story of Elias Jubran, a music teacher and oud maker from Al Jaleel (Galilee), and his children, who live in a totally different way in Israel... or who have left the country in search of a more open way of life. The film shows what it takes for a culture - mired in the threatening environment of the State of Israel - to continue to thrive.

In 1996, Kalashnikovs were publicly burnt in Timbuktu. At the time, the "Flame of Peace" symbolized the end of the Touareg rebellion, which had been suppressed in bloody massacres. That year, the rebels laid down their arms. That year, with the government having made promises, the families who had fled abroad left Mauritania, Algeria and Burkina Faso to return home. In the fight for rights and survival waged by this people, who for centuries had found their freedom in one of the world's most inhospitable regions, the Sahara, culture and arms have been in direct competition ever since.

Max Frisch was the last big Swiss intellectual widely respected as a “voice” in its own right – a character hardly found today. The film retells Frisch’s story as a witness of the unfolding 20th century, wondering if such “voices” are needed at all, or if we could do without them.

Rudolf Buth, 86, leaves his 45-year-old apartment due to loneliness and moves in with Pauline Pappert and Therese Heinze, also 86, who have lived together for ten years. Initially, their different lifestyles clash, but the women win Rudolf over with empathy. Rudolf charms them, with Therese feeling the need to educate him and Pauline enjoying flirting. However, their joy is short-lived. The documentary “Ménage à trois” captures their story of finding companionship in old age.

Two musicians whose biographies could not be more different. And yet, they are not only linked by a passion for music that they share with their spouses. All three have enjoyed successful careers in their home countries, and now need to find new bearings in Switzerland. Parallel to her concerts, pianist Tamriko Kordzaia, originally from Georgia, gives lessons at a music school, composer and singer Samir Essahbi, who is Moroccan, performs regularly with his band, and Turkish singer Ülkü Fazilet Bozkurt is starting to perform again.

Thirty female prisoners share the convicts’ ward of Tuilière Prison at Lonay. More than half of them have one or more children being raised elsewhere: with a sister, in a foster family, or – further away still – in their countries of origin. In portraying some of these women, the film sheds light on these mothers and the bond that ties them to their children.

Radios echo across Niger, connecting lives through news, music, and debate. This gripping doc explores how this everyday device becomes a lifeline in a changing nation.

The Jean Tinguely Museum in Basel, Switzerland, designed by Mario Botta, opened in 1996, five years after the Swiss sculptor's death. META MECANO is a poetic depiction of the genesis of this mono-graphic museum, from the builders' first plans and Mario Botta's designs to its construction and the assembly of Tinguely's fragile mobile sculptures. In interviews with Mario Botta, Tinguely's wife Niki de Saint Phalle, museum director Pontus Hultén and Tinguely himself, the film goes on to explore the mission of museums and of art in general today. META MECANO is a unique document on the significance of the artist Jean Tinguely and on the role that museums play in our day and age.

It's there, it's been Irène Schweizer's faithful companion for over 40 years, sharing her joys and sorrows, inspiring her and allowing her to live her dreams: her piano.

A true pioneer of Swiss cinema, Isa Hesse-Rabinovitch (1917-2003) followed an unusual path throughout her life. The daughter of Judeo-Russian immigrants, she grew up in Zurich. She married a son of Hermann Hesse, with whom she had three children. Influenced by the artistic work of her parents, she worked as an illustrator, then as a reporter and photographer, always mindful of her independence. At the age of fifty, she began making films. Her first experimental shorts immediately earned her invitations to various film festivals and a resounding response abroad.