Night, Proud Sister

Experimental short uses Ray Charles' “What'd I Say” as accompaniment to constantly shifting collage of female nude, cartoons, and newsreels of atomic bomb explosions.

Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, "Very nice, very nice." The film was nominated for an Oscar for Best Live Action Short Film.

Bruce Conner's landmark experimental film consisting entirely of found footage edited to a new score.

Oliver is making plans to marry his sweetheart Dulcy with Stan as his best man, but the plans are thwarted when Dulcy's father sees a picture of Ollie and forbids the marriage. The couple plan to elope, and run away to a Justice of the Peace. After typical Laurel and Hardy blundering, they manage to sneak the girl away from her father's house.

Stan and Ollie join the French Foreign Legion after Ollie's sweetheart rejects him.

A shipowner intends to scuttle his ship on its last voyage to get the insurance money. Charlie, a tramp in love with the owner's daughter, is grabbed by the captain and promises to help him shanghai some seamen. The daughter stows away to follow Charlie. Charlie assists in the galley and attempts to serve food during a gale.

Two families embark on a pleasant Sunday picnic but manage to run into a variety of issues with their temperamental automobile. Each incident requires repeated exits and reboardings by Laurel, Hardy, their wives and grouchy, gout-ridden Uncle Edgar.

Stan and Ollie are greeting card salesmen who agree to help a woman put a spark in her loveless marriage by making her husband jealous.

The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.

A documentary chronicling Queen and Lambert's incredible journey since they first shared the stage together on "American Idol" in 2009.

After his police officer brother is killed by a drug dealer who flees to the protection of his cartel-connected uncle in Mexico, an American man with a diverse law enforcement/military background goes south of the border to get revenge

A tale of a long-legged bird's journey of blissful joy, inescapable greed and the accidental discovery of the consequences when too much is not enough.

A couple receives a mysterious package from an old friend.

To escape neglect and abuse from his parents, a young boy plants some strange seeds and they grow into a grandmother.

An aging, out-of-work actress accepts one last job, though the consequences of her decision affect her in ways she didn't consider.

Inexperienced waiters (Laurel & Hardy) are hired for a swank dinner party.

A documentary filmmaker interviews the now-famous Trevor Slattery from behind bars.

Donald is an admiral on a seagoing voyage with his nephews in which they encounter a ravenous shark.

An aspiring young filmmaker gets involved with an eccentric gangster for the financing of his first film.

Mother, father and daughter go to the park. The women doze off on a bench while the father plays a hide-and-seek game with a girl, blindfolded. Charlie leads him into a lake. Both dozing ladies on the bench fall for Charlie and invite him for dinner. The father returns home with a friend. Charlie rushes upstairs and dresses like a woman, shaving his mustache. Both men fall for Charlie.

A tragic story of a musician taking a bold voyage in the pursuit of creation, ambition, and need. Letting life choose for him, as part of the art itself and coming to terms with his decisions.

An artist strives to achieve a state of pure existence. Caught between inertia and movement, her body strains, adapts, and responds to what is happening around her.

The second in Larry Gottheim's ELECTIVE AFFINITIES cycle, MOUCHES VOLANTES is, in the filmmaker's own words, "a celebration of elusive relationships" between sound and image, color and black-and-white, the moon and the waves, the aural testimony of Blind Willie Johnson's widow Angelina and the camera's illumination of a world simultaneously of and beyond the everyday. These lyrical fragments sweep in and out as with the tides; a time-based symmetry slowly emerges as the film reveals itself to be a perfect circle.

A woman gets lost in the woods.

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

The reception ebbs and flows as the unfamiliar landscape whirls by the window of a plane or train or car. Communication is delayed, fragmented, interrupted. Memories of a distant country.

Two friends walk and draw circles. It is what it is, idizwadidiz, c’est ce que c’est, seskecé. Nice weather.

A film beyond the eyelids. In one word: a trip.

Images of buildings, shapes and movements against the horizon.

Live performance with 16mm projectors. This is a simulation of a prototype for a “feeling machine” envisioned by Dr. D. Forme in 1917. This simulation is based on a short description and diagram found in the doctor’s notebooks. The description focuses on only one section of the machine. Brief mentions of the other sections were included but no detailed information was discovered. The machine was never built, yet according to the description its purpose was “to replace the faulty mechanism of human emotion”.

Live performance with 16mm projectors (a traumatoscopic presentation). In the museum a world of possibilities presents itself to the open and focused mind. An immense number of scenes can be created to appease even the wildest of imaginations. With the help of the Traumatoscope the following test will guide you through the most common scenarios you will encounter and give you the tools you will need to persevere in your mission to create a new museum of mankind.

An eight-hour contemplative epic, entirely starring sheep.

Two halves split by the perseverance of a scorpion. Come on, feet.

Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt?

A small portrait of the volatility of intimacy and of breaking free from abusive cycles: made in response to a year of collapsing relationships and violent accidents that left me broken, dislocated and stuck in my apartment.

The last woman on Earth: Filmed inside Biosphere 2 in Arizona, Urth forms a cinematic meditation on ambitious experiments, constructed environments and visions of the future. The film considers what an endeavor such as Biosphere 2 might mean today and in the near future, in terms of humankind’s relationship with the natural world.

Mid-period Brakahge short. "Haiku cartoons."

"...Series of narrative events, stories if you like, but so clustered visually as to have a center so to speak, slightly off center."

A meditation on the relationship between humans, nature, and technology.

Part of the larger filmic Four Journeys Into Mystic Time, in this work director Shirley Clarke makes use of a dancer’s body not only as the primary performer, but also as a canvas on which to paint projected images. Further enhanced by editing and effective use of shadows, the film is a transformative experience.