Tuesday Darkness

A vigilante homeless man pulls into a new city and finds himself trapped in urban chaos, a city where crime rules and where the city's crime boss reigns. Seeing an urban landscape filled with armed robbers, corrupt cops, abused prostitutes and even a pedophile Santa, the Hobo goes about bringing justice to the city the best way he knows how - with a 20-gauge shotgun. Mayhem ensues when he tries to make things better for the future generation. Street justice will indeed prevail.

Clinging to a smooth, curved surface high above a sentient abyss, a woman tries to cover the few feet back to safety without losing purchase and falling to her death.

After finding an ad online for “video work,” Sara, a video artist whose primary focus is creating intimacy with lonely men, thinks she may have found the subject of her dreams. She drives to a remote house in the forest and meets a man claiming to be a serial killer. Unable to resist the chance to create a truly shocking piece of art, she agrees to spend the day with him. However, as the day goes on, she discovers she may have dug herself into a hole from which she can’t escape.

A timid and socially alienated 17-year-old high school student's life is turned upside down when she switches places with her sinister mirror image.

As a serial killer stalks the city, Julia — a young actress who just moved to town with her husband — notices a mysterious stranger watching her from across the street.

Sy Parrish has lovingly developed photographs for the Yorkin family since their son was a baby. But as the Yorkins' lives become fuller, Sy's only seems lonelier, until he eventually convinces himself he's part of their family. When Sy's picture-perfect fantasy collides with an ugly dose of reality, a bizarre and thrilling confrontation ensues.

Grief-stricken after the loss of her child, Vanessa takes refuge at a lake house only to be met with an aberration of herself from a parallel universe and realizes the multiverse gates hold the key to releasing her grief or trapping her forever.

Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, "Very nice, very nice." The film was nominated for an Oscar for Best Live Action Short Film.

Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.

A grieving woman in a secluded forest encounters a killer who injects her with a paralytic drug. As her body shuts down, her fight for survival begins.

Fran likes to think about dying. It brings sensation to her quiet life. When she makes the new guy at work laugh, it leads to more: a date, a slice of pie, a conversation, a spark. The only thing standing in their way is Fran herself.

A down on his luck young man makes several attempts at committing suicide but fails them too. He then finds himself becoming more confident through a series of petty adventures, to such an extent that this becomes his undoing.

A group of high school outcasts get revenge on the students that torment them.

Two co-workers, one a vain woman and the other an awkward teenager, share an increasingly bizarre relationship after becoming roommates.

When Eddie breaks into a luxury SUV, he steps into a deadly trap set by William, a self-proclaimed vigilante delivering his own brand of twisted justice. With no means of escape, Eddie must fight to survive in a ride where escape is an illusion, survival is a nightmare, and justice shifts into high gear.

Following the sudden death of his mother, a mild-mannered but anxiety-ridden man confronts his darkest fears as he embarks on an epic odyssey back home.

First-time father Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child.

Short film made with the help of the Sundance Film Institute and serving as a proof-of-concept for the subsequent feature film.

The Shadow Mountains, 1983. Red and Mandy lead a loving and peaceful existence; but when their pine-scented haven is savagely destroyed, Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire.

After breaking the mysterious "One Wish Willow" to win his crush's heart, a hopeless romantic finds himself getting exactly what he asked for but soon discovers that some desires come at a dark, sinister price.

Los Años is a meditation about time, memory and mortality through our representation in images and our lives' rituals. This short highlights our abstract way of understanding time and collective experiences.

Women, landscapes and manifestations of color meet experimentally with the possibilities of the artisanal copying technique on 16mm.

The arrieros hold the lamb's body with their hands. The knife cuts the animal's throat and blood cascades out.

This is the portrait of Cesar, the heir to a tradition of neon lights that ruled in Buenos Aires' marquees and now resists obsolescence.

During the evening, between 15:00 and 17:00 all of Valparaíso's hills appear almost motionless.

With carpenters and fishermen on the coast of Valparaíso, Leonel Vasquez built a boat/sound installation following the almost extinct tradition of the craft wooden boats that still sail these waters. Through on-board wooden speakers, fishermen tell the stories of their livelihoods.

"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention." - Max Goldberg

"Frozen Jumper" begins in hit-and-run style with a pulsating textural noise. Flickering, nearly rectangular patterns join on the image plane, at first in black-and-white, bringing to mind the sprocket holes in celluloid film and, not least due to the lack of geometric precision, giving the impression of a pre-digital origin. As the soundtrack rattles on in a minimalistic way, the pattern’s twitchy dance is submerged in various warm hues such as yellow, pink, light green and light blue, which in a different rhythm and to a more agreeable music could be perceived as the signature of slightly retro psychedelia.

Experimental projects carried out during scientific initiation - 2002 / UFRJ

Experimental projects carried out during scientific initiation - 2002 / UFRJ

Circuit bent gain controller run into a CRT TV

The man needs the trip. The job impedes him to do so. Then the man stuck to his chair! Loosely based on a short short story named "A Man Called Desk" from the book "Password Incorrect" written by Nick Name

A student movie loosely based on the short story by Sadegh Chubak

I really hope this is well-received. I really hope there's some sort of reprieve.

Combining high definition and Super 8 footage, Lampedusa is composed of interwoven narratives based on a series of real events. In 1831, a volcanic island suddenly erupted from the sea a few kilometers off the southern coast of Sicily. An international dispute ensued, as a number of European powers laid claim to this newfound “land”. The island receded below sea level six months later, leaving only a rocky ledge under the sea…

ANA is: a) An investigation of a cyber-sect linked to the disappearances of several women online. b) A moodboard of the aesthetization of self-destruction. c) A found footage documentary about today's subcultures.

Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.

There is no escape… From one side of the globe to the other, there is no escaping the faces, the visions, the ever-watchful camera. There is no escaping the mask, there is no escaping the resonating echoes of images and sounds that cross each other over time. There is no escaping the cinema. There is no escaping the terrors of the mind. “A mysterious loner, perhaps a poet, journeys through a series of uncanny surrealistic landscapes with an unclear purpose. His adventure is divided into three sections. The main theme of this experiment is to compare the eerier qualities of different landscapes and interpose the characters within them, elaborating the project’s ongoing preoccupation with extracting sinister moods from ordinary settings. In a way, these can be seen as experimental horror films in which an atmosphere of dread is evoked and sustained without the expected narrative trappings.”

A homage to painter Amable Arias. Through painted-on-film visuals, the film evokes the atmosphere of daytime in an imagined garden—paired conceptually with his earlier short Paisaje inquietante – Nocturno which reflects the nocturnal counterpart.

Abstract sequences alternate between shadowy landscapes and nocturnal visuals, evoking unsettling atmospheres rather than a traditional narrative.