GIG - A Uberização do Trabalho

The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.

A documentary that explores the downloading revolution; the kids that created it, the bands and the businesses that were affected by it, and its impact on the world at large.

The film explores the pursuit of the “Chinese Dream.” Driven by mesmerizing—and sometimes humorous—imagery, this observational documentary presents a contemporary vision of China that prioritizes productivity and innovation above all.

Film adaptation of French economist Thomas Piketty's ground-breaking global bestseller of the same name: an eye-opening journey through wealth and power.

A father-to-be tries to figure out what is happening with all this AI insanity, and explores the most powerful technology humanity has ever created... and what's at stake if we get it wrong.

Following a newspaper ad, ordinary women tell part of their life stories to director Eduardo Coutinho, which are then re-enacted by actresses, blurring the barriers between truth, fiction and interpretation.

A behind-the-scenes look at Brazil's 2002 World Cup-winning soccer team, with unseen footage and interviews with the players.

Over the past 25 years, Lauren Greenfield's documentary photography and film projects have explored youth culture, gender, body image, and affluence. Underscoring the ever-increasing gap between the haves and the have-nots, portraits reveal a focus on cultivating image over substance, where subjects unable to attain actual wealth instead settle for its trappings, no matter their ability to pay for it.

A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.

Swedish documentary film on consumerism and globalization, created by director Erik Gandini and editor Johan Söderberg. It looks at the arguments for capitalism and technology, such as greater efficiency, more time and less work, and argues that these are not being fulfilled, and they never will be. The film leans towards anarcho-primitivist ideology and argues for "a simple and fulfilling life".

A filmed version of David Byrne's Broadway show, a unifying musical celebration that inspires audiences to connect to each other and to the global community.

In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.

Errol Morris interweaves the stories of four men, each driven to create eccentric worlds from their unique obsessions, all of which involve animals: a lion tamer shares his theories on the mental processes of wild animals; a topiary gardener devotes a lifetime to shaping bears and giraffes out of hedges and trees; a man fascinated with hairless mole rats; and an MIT scientist who has designed complex, autonomous robots that can crawl like bugs.

Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"

A presentation of a case for a needed transition out of the current socioeconomic monetary paradigm which governs the entire world society. This subject matter will transcend the issues of cultural relativism and traditional ideology and move to relate the core, empirical 'life ground' attributes of human and social survival, extrapolating those immutable natural laws into a new sustainable social paradigm called a 'Resource-Based Economy'.

The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.

Ranjit, a farmer in India, takes on the fight of his life when he demands justice for his 13-year-old daughter, the victim of a brutal gang rape. His decision to support his daughter is virtually unheard of, and his journey unprecedented.

This documentary focuses on the actors and their journey over two summers to create the remake to the original IT, by Stephen King. The documentary originally released as bonus material, bundled with IT: Chapter Two.

A documentary chronicling Queen and Lambert's incredible journey since they first shared the stage together on "American Idol" in 2009.

Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.

"Woodstock - Mais Que Uma Loja" tells the story of the Woodstock Discos store, a stronghold considered ground zero for heavy metal in São Paulo and one of the pioneers of the style in Brazil.

“My Ride with Uber and Lyft” follows taxi drivers in Boston from 2012, through the transition to Uber, and ends at the height of the COVID-19 pandemic in 2022.

Fernando Lemos, a Portuguese surrealist artist, fled from dictatorship to Brazil in 1952 searching for something better. The movie follows the last moments of his journey and the struggle for the preservation of his legacy, trying to fulfill his last great desire: to be a good dead man.

A look into the 25 years of career of famous musician Chico Buarque and his influence in Brazilian culture.

The impeachment and removal from office of Brazilian President Dilma Rousseff in 2016 was triggered by a corruption scandal involving, among others, her then vice-president Michel Temer. Director Maria Augusta Ramos follows the trial against Rousseff from the point of view of her defence team. This is a courtroom drama that unfolds slowly: the appearances of the various parties gradually turn the proceedings into something akin to theatre. Inside the courtroom, grand emotions are played to full effect whilst, on the other side of the doors, lobbyists and supporters pace the corridors. Meanwhile, outside, in front of Brasília’s modernist government buildings, demonstrators are chanting like a Greek chorus. Only the main character, Rousseff herself, remains professional and aloof.

Cássia Eller Rejane. Cássia Eller. Cássia. A powerful restless force on stage, shined herself out of it. One of the greats of Brazilian music, Cássia Eller marked the 1990s and shocked the country with her early death in 2001. A film about the singer, the mother, the woman who exposed her personal life and broke barriers, leaving a beautiful social and artistic legacy.

A tomato is planted, harvested and sold at a supermarket, but it rots and ends up in the trash. But it doesn’t end there: Isle of Flowers follows it up until its real end, among animals, trash, women and children. And then the difference between tomatoes, pigs and human beings becomes clear.

The documentary is a production that addresses the evolution of health policies in Brazil, highlighting how health practices were implemented and evolved from being seen as an individual duty to a right guaranteed by the state. The film uses a fictional narrative with period reconstruction and is supported by archival material to illustrate the changes in health policies over time. The film's language adapts to the predominant media of each depicted period, such as newspapers, radio, black-and-white TV, color TV, and finally, the internet. It was produced through the initiative of the Secretariat of Strategic and Participative Management of the Ministry of Health, in partnership with the Organização Pan-Americana da Saúde (OPAS) and the Universidade Federal Fluminense (UFF). It is intended for free distribution, especially focusing on Health Councils, educational institutions, and social movements. A version with Spanish and English subtitles is under discussion to expand its reach.

One port, the discovery and two bodies in motion.

Register a popular celebration related to a battle fought in the city of Irani, starting point of Contestado War at Santa Catarina State, Brazil in 1912.

In the 1970s, they were championing the fight against Brazil’s military dictatorship. Forty years later, what’s left of Libelu? What does adult life have in store for you after the revolutionary youth?

An uplifting feature documentary highlighting the transformative power of art and the beauty of the human spirit. Top-selling contemporary artist Vik Muniz takes us on an emotional journey from Jardim Gramacho, the world's largest landfill on the outskirts of Rio de Janeiro, to the heights of international art stardom. Vik collaborates with the brilliant catadores, pickers of recyclable materials, true Shakespearean characters who live and work in the garbage quoting Machiavelli and showing us how to recycle ourselves.

Brazilian soccer players Sócrates, Casagrande and Vladimir lead a historic movement in sports by adopting a democracy within their team, making a statement against the country's military dictatorship.

Documentary on the São Paulo punk band Cólera.

Rota ABC is a documentary essay about the desires and perspectives of youth living in the industrial suburb of São Paulo, directed by Francisco Cesar Filho and produced by Anhangabaú Produções, with a soundtrack by the punk rock band Garotos Podres.

Hello, Hello, Terezinha! is a feature-length documentary about the country's biggest communication phenomenon. Politically incorrect, radical, renewing, Chacrinha changed Brazilian television forever and expressed a Brazil that was around it, but was not perceived. The film tells the great adventure of Abelardo Barbosa through the eyes of the presenter. It gathers the nuclei of its constellation - chacretes, fledglings and artists who passed through its programs - to identify their individualities and their emotions.

Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981, looking for the same places and people, showing what had ocurred since then, and trying to gather a family whose patriarch, a political leader fighting for rights of country people, had been murdered.

A documentary by Eduardo Coutinho about a hired-gun from Brazil's Northeast.