Les Sacrifiés

Algiers, 1938. Meursault, a quiet and unassuming employee in his early thirties, attends his mother's funeral without shedding a tear. The next day, he begins a casual affair with Marie, a work colleague. He quickly slips back into his usual routine.

Set in France during the struggle for Algerian independence, Messaoud's mother is terminally ill and his father, needing to work long hours in the factory, can't look after him, so decides to put him and his older brother Abdel in foster care. Sent to the countryside, Abdel has to work on a farm, but Messaoud is taken in by a childless woman, who conceals his Arab origins from her fiercely Gaullist ex-army husband. Re-named Michel/Michou, and with his hair comically dyed blond, the young boy quickly steals the hearts of both foster-parents, and eventually is instrumental in saving their troubled marriage.

A drama set in the American South, where a precocious, troubled girl finds a safe haven in the music and movement of Elvis Presley.

A headstrong young woman returns to New Orleans after the death of her estranged mother.

After an emotional exchange between a Lebanese Christian and a Palestinian refugee escalates, the men end up in a court case that gets national attention.

Garance is a young actress, but not a star. She manages everything as best she can, valiant, cheerful, a soldier, and she finds in alcohol an unconditional fuel, a source of comfort. Garance changes her life and begins an eight-year journey of moves, work, encounters, parties and anxieties, joys and hardships… An intimate, friendly, and sexual revolution. But she consumes, more and more. Until the very possibility of death…

A bourgeois couple, modern yet conventional. One night by accident, a young prostitute barges into their lives. Hounded down, beaten up, threatened, she will continue to struggle, with the help of a well off lady, first for her survival-her resurrection-then for her dignity and freedom. Stormy encounters for everyone involved.

A troubled young woman is thrown out of a convent and forms a relationship with a radical Muslim.

Port of Marseille, France, recently liberated from the German yoke. Caught as stowaways aboard a ship, Manon, a young woman who was accused of collaborating with the Nazis, and Robert, a freedom fighter who saved her from reprisals, tell the captain about the many challenges they have had to face in order to survive.

Adapted from the novel L'Argent by Émile Zola, the film portrays the world of banking and the stock market in Paris in the 1920s.

Disgrace is the story of a South African professor of English who loses everything: his reputation, his job, his peace of mind, his good looks, his dreams of artistic success, and finally even his ability to protect his cherished daughter. After having an affair with a student, he moves to the Eastern Cape, where he gets caught up in a mess of post-apartheid politics.

The eldest son of a ruthlessly tough MMA champion must fight his way out of the abusive cycle his father has continued.

Twenty-something Freddy is becalmed in a podunk French village where the only sign of life is the local amateur brass band and youth aimlessly roaming around the countryside on scooters. He has an intense sexual connection with his girlfriend but has no joy or passion to give her. When she falls for a handsome Arab youth a tragedy unfolds.

The story of a woman who is suddenly visited by her estranged ex-husband. The ex-hubby wants to buy her country house, which she received in the divorce settlement. Instead he finds himself locked in a cage in the cellar.

A troubled young woman becomes obsessed with her mysterious new neighbor, who bears a striking resemblance to the girl's dead mother.

When lapsed Jew and former cardiologist Harry suddenly decides to spend his retirement as a pig farmer in Nazareth, Israel, the move deeply shocks his family and his new neighbours. Back in New York, Harry’s ex-wife Monica is trying to manage the lives of their adult children, Annabelle and David, as well as her own.

Pauline, a devoted and generous home help nurse, raises her two children alone, while also looking after her father, a former steelworker. Taking advantage of her popularity, the directors of an extremist political party suggest she become their candidate at the mayoral elections.

Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.

MMA legend Patton James, now a commercial fisherman, is pulled back into the cage when his brother is in danger. Reuniting with his old coach Sammy, he commits to one final fight in one championship against the brutal champion Xavier Grau.

The hunt, capture and trial of Guy Georges, one of France's most notorious serial killers.

The film mixes fiction, filmed documents and interviews which recounts the arrival in Paris of an Algerian immigrant lost in the metro. On December 27, 1968, France and Algeria signed an agreement which admitted each year 35,000 Algerian workers to French territory in the France of the Trente Glorieuses where the annual growth rate reached 5% and where factories lacked workers. Candidates obtain a residence permit valid for 5 years for themselves and their families. Paris is committed to improving professional training and housing conditions for immigrants, too often confined to the most thankless jobs and often housed in slums. A testimony on the living conditions of emigrant workers "economic cannon fodder" of neocolonialism which simultaneously develops its alter ego, institutionalized racism, as a tool of social stagnation and division of the proletarian class.

An old North African man, sitting in an Algerian bar, remembers his life spent in France.

Ahmed, an Algerian laborer and young father, leaves his country and arrives in France, hoping to find a job through Salah, a friend who has been living in the Paris suburbs for several years. He is disappointed when he arrives in Nanterre, where Salah lives in a shantytown. Without any support, Ahmed has to make the daily rounds of the employment offices, like so many other immigrants who, like him, have been lulled into complacency.

In the middle of the Algerian war, Elise, from Bordeaux, “goes” to Paris to join her brother to earn her living in an automobile factory. There she meets Arezki, an Algerian nationalist activist with whom she falls in love. A chronicle of working life at the time and which highlights the extent of police repression against Algerians.

In the 1980s, barely 18 years after Algeria's independence, Algerian immigration to France massively fueled the construction industry, responding to a demand for hard, undervalued labor. Behind the idea of ​​"selective immigration," these men were recruited primarily for their bras and their knock-kneed hands, shaped by construction sites. Invisible yet essential, they built roads, buildings, and infrastructure, often at the cost of precarious conditions. Ali, an Algerian crane operator in France, philosophically accepts the harassment faced by immigrants like himself on construction sites and in daily life. He hopes to escape his situation with the money he wins in the lottery, and from the top of his crane, he allows himself to dream, observing the world through binoculars. One day, the jackpot falls...

The arrival in France of the first generation of Algerian immigrants. In the early sixties, Kader, soon joined by his wife Myriam, tries to build a new life on French soil. Like many other couples, they soon find themselves torn between the dream of returning to their homeland and that of prospering in a land that is not always welcoming.

In 1971, the Algerian government nationalized hydrocarbons. The consequences of this decision on the community of Algerians in France are numerous. The Galti family is prey to these economic problems. The father, Khaled, former member of the F.L.N. in France, does not escape the sentence. Sharazade, his wife and comrade in combat, finds herself torn between her role as wife, mother and nostalgia for a country and a bygone past. As for his son Karim, a victim of socio-cultural division, all he has left is refusal.

A construction worker on a construction site in the Paris suburbs, Mehdi takes the bus to return home after work. Wishing to get off while the vehicle is stationary in a traffic jam, the driver refuses: while restarting, the bus hits the car in front of it. The bus driver attacks Mehdi whom he holds responsible for the incident, claiming that it is forbidden to “talk to the stagehand”. Mehdi is implicated in court and his lawyer tries to draw attention to the living conditions of immigrant workers.

In a working-class immigrant neighborhood slated for demolition, Jo, the son of Ali, known as the Rescuer from the Algerian war, lives idle and delinquent, committing small assaults to pay for his drugs. One day, while attacking Slim's bar, he is arrested by Ben, a young beur cop torn between his roots and the imperatives of his mission to maintain public order. Giving in to the respect and friendship he feels for Ali, Ben agrees to release his son. But alas, far from calming down, Jo drifts deeper into violence, until the inevitable drama.

The Three Cousins ​​is a comedy-drama by René Vautier released in 1970 about the living conditions of three Algerian immigrant cousins ​​looking for work in Paris. Housed in a narrow construction shed, the coal stove will cause them to suffocate. The Three Cousins ​​won the Best Human Rights Film Award in Strasbourg in 1970.

For more than ten years, Algeria has been living a slow war, a war without a front line but having caused more than 100,000 deaths. It is this desert that Zina and Kamel – two young Algerians, sometimes hallucinated and joyful, sometimes dejected and serene – will want to travel one last time before leaving it for elsewhere. A road movie on the territories of a city, Algiers whose construction sites are in decline. Roma wa la n'touma will show that fleeing abroad is not is not a refusal of combat, but an obscure struggle against assignment.

The Director Mohammed Soudani comes back to Algeria after 30 years with the photographer Michael von Graffenried to visit the Algerians he had photographed between 1991 and 2000 without them knowing it.

In 1980, Lionel Stoléru—France’s Secretary of State for Migrant Workers—introduced a "repatriation grant" of 10,000 francs (known as the "Stoléru million"), paid to immigrants who agreed to return permanently to their countries of origin. One Algerian family decided to leave France. Upon arriving in the small rural town of Boufarik, Algeria, in a brand-new Peugeot 404, they caused a scandal. Their liberated ways drew the villagers' ire, and the two children knew nothing about Algeria or local customs. The film was selected for the Cannes Film Festival in 1981, and in 1982, it won the Critics' Prize at the Chamrousse International Comedy Film Festival.

Ali in Wonderland unveils the condition of immigrant workers in Paris in the 1970s. It is a cry of anger against exploitation and racism, uncompromisingly raising the role of the French state, the media, capitalism, and colonization in this system of domination that crushes those who suffer it. In this experimental essay on the condition of Algerian migrants in Giscard's France in the mid-1970s, every aesthetic choice has a precise and legible political motivation and gives body and voice to a figure completely absent from the experimental cinema of the time: that of the immigrant worker. Abouda is one of the children of immigrants seen in the film, and not a simple activist serving a cause, which is why the emotion of her experimental gesture, which she throws in the viewer's face, springs from a ferocity inscribed in her body, from an insatiable anger that inhabits her gaze.

The life of Michèle Firk — a trailblazing French journalist, film critic, aspiring director and communist activist involved in various liberation struggles in the second half of the 20th century — as told by narrator Alice Diop, modern day French director.

In 1958, in the midst of the Algerian War and two months before the World Cup, the French Football Federation (FFF) discovered on April 15th that nine of its players of Algerian origin had secretly left France to join the headquarters of the National Liberation Front (FLN) in Tunis, where the Provisional Government of the Algerian Republic (GPRA) was based. They chose to leave everything behind—careers, fame, money—to support the FLN cause: the independence of the Algerian people. Their daring escape was worthy of a thriller and made headlines across the international press. For four years, the FLN team toured the world and became the standard-bearer for a people. FIFA refused to recognize the team and threatened federations that played against it with sanctions. Nevertheless, the team made a lasting impression with 57 wins, 14 draws, and 12 losses in 83 matches. Ferhat Abbas, president of the GPRA, told them, "You have gained ten years for the cause of independent Algeria."