Let Them All Go

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

Alexander McQueen's rags-to-riches story is a modern-day fairy tale, laced with the gothic. Mirroring the savage beauty, boldness and vivacity of his design, this documentary is an intimate revelation of McQueen's own world, both tortured and inspired, which celebrates a radical and mesmerizing genius of profound influence.

An intimate portrait of Hollywood royalty featuring Debbie Reynolds, Todd Fisher, and Carrie Fisher.

Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.

This documentary revisits the French football team's controversial 2010 World Cup and the bus strike that sparked global headlines and national outrage.

A detailing of the rise to prominence and global sporting superstardom of six supremely talented young Manchester United football players (David Beckham, Nicky Butt, Ryan Giggs, Paul Scholes, Phil and Gary Neville). The film covers the period 1992-1999, culminating in Manchester United's European Cup triumph.

An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.

In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.

A portrait of singer-songwriter Shawn Mendes' life, chronicling the past few years of his rise and journey.

Captured during Billie Eilish's sold-out world tour, a concert experience from one of the most celebrated and successful artists of her generation, presented in immersive 3D.

Behind-the-scenes documentary about how Lionel Messi succeeded in lifting the World Cup – the only trophy to have eluded him in an incredible career.

Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.

A feature length documentary about the all-women team at the helm of Pixar's original feature, Turning Red. With unprecedented behind-the-scenes access to Director Domee Shi and her core leadership crew, this story shines a light on the powerful professional and personal journeys that brought this incredibly comical, utterly relatable, and deeply heartfelt story to the screen.

Film adaptation of French economist Thomas Piketty's ground-breaking global bestseller of the same name: an eye-opening journey through wealth and power.

The film is based on interviews with 2,000 women from 50 countries, and covers the status of women all over the world. The topics covered include forced marriages, sexual assault, female genital mutilation, acid attacks, motherhood, sexuality, menstruation, education and the professional success of women.

SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.

A documentary on legendary movie-poster artist Drew Struzan.

A sexual wellness company gains fame and followers, then members come forward with shocking allegations.

In 1977, a book of photographs captured an awakening - women shedding the cultural restrictions of their childhoods and embracing their full humanity. This documentary revisits those photos, those women and those times and takes aim at our culture today that alarmingly shows the need for continued change.

Sahara - Hutsetik Haitzera is a mountain documentary about the climbing of Tizouyag Nord in the Hoggar Desert in Algeria by the Spanish Basque team composed of Alberto Iñurrategi, Jon Lazkano, Juanjo San Sebastián, Jon Beloki and Asier Aranguren. Made by climber Alberto Iñurrategi in 2002 and produced by Iñurrategi Anaiak, it is part of the Oinak Izarretan series.

Who remembers Mohamed Zinet? In the eyes of French spectators who reserve his face and his frail silhouette, he is simply the “Arab actor” of French films of the 1970s, from Yves Boisset to Claude Lelouch. In Algeria, he's a completely different character... A child of the Casbah, he is the brilliant author of a film shot in the streets of Algiers in 1970, Tahya Ya Didou. Through this unique work, Zinet invents a new cinema, tells another story, shows the Algerians like never before. In the footsteps of his elder, in the alleys of the Casbah or on the port of Algiers, Mohammed Latrèche will retrace the story of Tahya Ya Didou and its director.

The Desert Rocker is an intimate, witty and profound portrait of the extraordinary Hasna El Becharia, a pioneer Gnawa artist. The first musician to break through the social barrier of this culture, she empowers and inspires women of all ages by reclaiming a musical tradition reserved for men for centuries . A singularly talented artist, she leads women to redefine their roles and challenge cultural norms , one musical performance at a time.

The Aït Atta tribe of the High Atlas mountain range in Morocco preserves their ancestral right of access to the agdal, a communal land management system that dates back hundreds of years. The film follows Ben Youssef family’s arduous transhumance journey from the desert-like landscape of Nkob to the green pastures of Agdal Igourdane, throughout uneven terrain of steep climbs and descents of these High Atlas mountains. They migrate each summer with their 800 goats, donkeys, mules, camels and dogs, as they embark on this formidable journey on foot.

Made just three years after the end of the French-Algerian War (1954-1962), Gillo Pontecorvo's The Battle Of Algiers instantly ignited discussions of this complex historical period. Using the film as a point of reference, this 2004 documentary attempts to reconstruct the Algerian experience of the battle for independence.

Fayçal Hammoum recounts the 2014 presidential election through non-voting inhabitants of Algiers who, like him, are in their thirties. Be it Bilel, a grocer by default exposed to his customers’ political babbling, or the more politically-charged comments of Younes, a militant FM radio journalist opposed to President Bouteflika’s fourth term, the variety of conversational scenes in no way changes the determination not to vote for an old man who has been invisible for almost two years. The rappers Omar and Brahim are as bereft of hope and voter’s cards as the Tellek webradio DJ, since “the match is fixed”. Moving away from his focus on this subject to film their daily life, the filmmaker draws the portrait of a generation who, as Bilal says with poignant simplicity, “just wants to live

In the heart of the Hoggar Mountains, Algerian and French climbers meet on the legendary walls of the central Sahara. More than just an ascent, Tissalatine tells the story of an encounter with oneself, with the land, and with history. The film also retraces Thomas Dulac's return, ten years later, to a site he helped to open up. Driven by the profound voice of singer Djam and the vision of director Hamza Mendil, Tissalatine unveils a living, vibrant Sahara, far removed from clichés, in a sweeping epic of adventure, brotherhood, and spiritual elevation.

It is with the architect Jean-Jacques Deluz, that we visit Algiers, "his city" since 1960 and that he left only two years during the worst moments of terrorism. From the Casbah, in the 19th century center, including the cities of Fernand Pouillon and Bab El Oued to arrive at the new city of Maelma which he built today. Tender look, but without concessions at the same time architectural promenade and meetings with actors of art and culture: Djamel Allam, the singer Kabyle, Djamel Amrani, the poet, friend of Jean Sennac, Mohamed Ben Gettaf, Dramaturge and director of the theater of Algiers, Souad Delmi-Bourras, young designer Boudjemàa Kareche, director of the Algerian cinema, Amine Kouider, conductor, who relaunches the opera in Algeria, the painter Malek Salah, and others. A look at Algeria and the Algerians, far from the clichés of certain media, the bias being to seek signs of hope rather than "blood and tears".

Alberto Spadolini, filmmaker and choreographer, dances to traditional Andalusian music. He pays tribute to the gypsy culture.

On November 1, 1954, the National Liberation Front of Algeria announced the war for the country's independence. France, colonizer since 1830, hastened to reinforce its military contingent in the four corners of the country and to prevent the advance of the rebels. A little Chaoui, born in a mountainous region of the country, sees his placid childhood collapse in the middle of a crossfire that he does not understand. The story, inspired by real testimonies, is constructed with images from the archives of the French army. From this apparently dissociated dialogue between image and word arises a sensitive homage to the memory that rests in the archives and to the ignored voice of its protagonists.

It's the unforgivable story of the two hundred thousands harkis, the Arabs who fought alongside the French in the bitter Algerian war, from 1954 to 1962. Why did they make that choice? Why were they slaughtered after Algeria's independence? Why were they abandonned by the French government? Some fifty to sixty thousands were saved and transferred in France, often at pitiful conditions. This is for the first time, the story of this tragedy, told in the brilliant style of the authors of "Apocalypse".

Jean Sénac, born in Béni Saf in Algeria in 1926 and died in Algiers in 1973, is today considered one of the great French writers and poets and the only one of his reputation to have accompanied the Algerian revolution before November 1954. part of all the debates and got involved, very early and with immense enthusiasm, in a work of commitment which ended badly. His poetry, his sexual preferences and his political lyricism work against him: rejected as much by the Pieds Noirs as by the FLN activists then by the power in place in Algiers, Jean Sénac was assassinated in 1973 at his home in Algiers, in circumstances never clarified.

By ending the life of Jean Senac on August 30, 1973 in Algiers, his assassins believed they would silence him forever. They were wrong since his voice is a little louder every day. Witnesses to these craze: the publication of the complete works of this great poet, the countless conferences and radio broadcasts devoted to him and finally the production of films such as "Jean Sénac, the blacksmith of the sun". The moving and overwhelming testimonies of those who knew him, the unpublished film archives, the generous voice of the poet on the radio, the discovery of his travels in the territories of poetry and politics make this film a precious document on the life of Jean Senac.

In the furnace of Algiers, the camera follows and accompanies Ibrahim, Adam, and Ismael, originally from sub-Saharan Africa, in an irregular situation who live in this hotel with the predestined name. They live from odd jobs. One is an elevator operator in a building, the second is a shoemaker and the third works in the construction sector. The other side of immigration from sub-Saharan Africa. Behind the statistics hide people, bodies waiting to be able to start another life elsewhere. A hotel thus becomes a transit point in which stories and hopes mingle, a place which seems suspended in time and space. A static journey waiting for another to begin.

Thierry Damilano and his team of Tuareg guides will take you on a trek in the Algerian Sahara, to discover the local culture with a mandatory visit to the hermitage of Father de Foucauld facing Assekrem, then climbing the legendary peaks of the Hoggar massif.

On December 10, 1998, Kamel Messaoudi died in a traffic accident at the age of 37, at the height of his fame. In the early 1990s, when Algiers chaâbi was struggling to renew itself and attract young people, Kamel, born on January 30, 1961 in Algiers, into a modest family, achieved great success with his first album, notably featuring Echema’a (the candle) and other tracks where he did not hesitate to shake up the old repertoire, adding his own words, closer to the reality of an Algeria then bereaved by the violence of the dark decade of the 90s, and composing melodies supported by instruments such as the acoustic guitar or the piano.

The Fence is a cry! In the aftermath of the civil war which bloodied Algeria, Tariq Teguia interviews the young people of Bab El Oued who express their anger. In the fixed shots in which they testify, Tariq Teguia alternates wanderings in a car which extend those of Ferrailles d’anticipations. And it is the violence of confinement that dominates, coupled with the desire for something impossible elsewhere.

Across two countries, France and Algeria, and five cities, Mohamed Gholam takes us south to tell us about the earthen and vernacular-inspired architecture of André Ravéreau. Passing through Lyon, Marseille, Algiers, and Djelfa, this adventure will take us to Ghardaïa, in the Algerian desert. The documentary presents the following buildings: L'Orangerie in Lyon, the Village Terre de l'Isle-d'Abeau in Villefontaine, the Unité d'Habitat or Cité Radieuse in Marseille, L'Aérohabitat in Algiers, the Palais des Raïs or Bastion 23 in Algiers, the Hôtel des Postes in Ghardaïa, and the low-cost housing of Sidi Abbaz de Bounoura.