Long Film for Ambient Light

Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"

Oliver Stone charts the history of the United States from the Second World War to the present.

Following the release of Part III in 1990, Coppola, Barry Malkin, and Walter Murch edited the three films into chronological order to create this nearly ten-hour epic, incorporating scenes not part of the theatrical releases.

Stephen King's take on the masterpiece series by Lars von Trier. The story takes place in a hospital in Lewiston, Maine, built on the site of a Civil War-era mill fire in which many children died.

A short film by John G. Avildsen.

Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.

The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called "Belair's last film," Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.

"Filmed in 16mm and hand processed in a week at Phil Hoffman's Film Farm in Canada, this film was a treasure map to lead my husband to his gift, a little pet pig." ⁠— Helen Hill

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.

Disillusioned English banker's wife Mary meets troubled Italian immigrant Bruno, with whom she is captivated by and they set off on a voyage on which they meet a variety of society's dropouts.

The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".

This cacophony runs over me, over everything I see, everything I want to see: it's me.

Rather pointless, rather stilted, fetid; not what we want us going after.

A surreal, moody short about the fetishisation of automobiles and auto accidents.

The Greek island of Syros is visited by a series of unexpected guests. Immutable forms, outside of time, aloof observants to human conditions.

A story of broken humanity following the invasion of a technologically superior alien species. Bleak, harrowing, and unrelenting, the humans must find enough courage to go on fighting.

An experimental Austrian film

In Vigo, Spain, during Christmas, Ángel, a Spanish filmmaker, walks through the crowded streets while thinking about a possible movie made of…

Setting, settling; still seething as I barely breathe.

Rosso Fiorentino's painting "The Deposition of the Cross" comes to life. The Christ is gradually removed from his cross by the biblical characters who surround him.

Say Om as you reach home only to realize you never really left/stopped saying Om.

It's time the times met each other over & over.

Flitter like tittertatter trying to breathe while working, like a mad hatter; the outofbreath feeling rising from recursive reforgettings (or their resemblances).